Fig. 372.—Dancing gorgets of wood.
This man or giant, able to hold out a whale, appears to be a legendary character, as we have his image carved in ivory. We unfortunately did not succeed in learning anything more about him, except that his name (apparently) was “kikámigo.” Hanging by the head to each elbow of this figure is a seal, and opposite its thighs two of the usual conventional whale’s tails, one on each side, with the flukes turned from him. The one on his left is attached to his waist by a straight line from its upper corner. At its right hand are a number of objects irregularly grouped. At the top an umiak with five men towing at a three-cornered object, which probably represents a dead whale; then a smaller umiak containing five men and apparently “fast” to a whale, which is spouting. A figure above this, almost obliterated, appears to be a small whale. Below are a large seal, three of the cross-shaped figures, four small whales, and one figure so much effaced that it can not be made out. On the left hand of the figure are two umiaks, and a whale with a line and float attached to him, then four crosses and a large seal in the corner. Below are four whales of different sizes, two bears, and a dog or wolf.
These gorgets appear to have gone out of fashion, as we saw none which were not very old, or which appeared to have been used recently. From the nature of the figures upon them, they were probably used in some of the ceremonies connected with the whale fishing. Kika´mĭgo may be the “divinity” who controls the whales and other sea animals.[489]
[Mechanical contrivances.]—
In one of the performances which Capt. Herendeen witnessed, there stood in the middle of the floor facing each other, the stuffed skins of a fox and a raven. These were mounted on whalebone springs and moved by strings, so that the fox sprang at the raven and the raven pecked at the fox, while the singing and dancing went on. These animals were never offered for sale, but they brought over a stuffed fox very cleverly mounted so as to spring at a lemming, which by means of strings was made to run in and out of two holes in the board on which the fox was mounted. (No. 89893 [1378] from Utkiavwĭñ.) We unfortunately did not learn the story or myth connected with this representation.[490] It was the skin of an Arctic fox in the summer pelage, with the paws and all the bones removed, and clumsily stuffed with rope yarn, not filling out the legs. A stick was thrust into the tail to within about two inches of the tip, so that it was curled up over the back. The skin was taken off whole by a single opening near the vent, which was left open, and through which was thrust into the body a strip of whalebone 2 inches wide and about ⅛ inch thick, which protruded about 4¼ inches and was fastened to the front edge of the hole by tying the flap of skin to the whalebone with three or four turns of sinew braid, kept from slipping by a notch in each edge of the whalebone.
The fox was attached to a piece of the paneling of a ship’s bulkhead, 29 inches long and 7.5 wide, by bending forward 2¾ inches of the end of the whalebone, and lashing it down parallel to the length of the board with four turns of stout thong, kept from slipping by a notch in each edge of the whalebone and running through holes in the board. The fox was thus held up by the spring parallel to the length of the board with its head and forelegs raised. A string of sinew braid 10 feet long was passed through a hole in the septum of the fox’s nose and knotted once so as to leave two equal ends. These ends were carried down through two holes, one in each edge of the board 9½ inches from the forward end, and each was tied to a roughly-rounded bit of pine stick round which it was reeled when not in use. By pulling these strings together, the fox was made to dart down his head, which was raised by the spring as soon as the string was slackened. By pulling one or the other string the fox could be made to dart to one or the other side of the board.
One man manipulated the fox, pulling a string with each hand. The lemming’s holes were about 1¼ inches in diameter, one in each edge of the board and at such a distance from the end that when the string, which was 7 feet 4 inches long, was drawn through them, it crossed the board just where the fox’s nose struck, when it was pulled down. The ends of the string were reeled round bits of stick. The lemming was a narrow strip of wolf’s fur, about 3 inches long, doubled in the middle, with the middle of the string hitched into the bight. By pulling the ends of the string alternately, the lemming was made to jump out of the hole on one side, run across the board and into the other, very much as a live lemming runs from one tunnel to another on the tundra. It took two persons, one on each side, to handle the lemming. The foxskin and spring appeared to be older than the rest of the machine. The board was originally 10 inches or 1 foot longer at each end, but had to be cut off to pack it.
Petroff mentions a similar custom among the “Nushegagmute” of Bristol Bay, of introducing stuffed animals moved with hidden strings in their performances;[491] and Dall[492] describes a festival at Norton Sound, where a dead seal was brought in and moved about with strings.