Fig. 373.—Youth dancing to the aurora.
Dances in which the children only take part, entirely for amusement, sometimes take place in the kû´dyĭgĭ, and people occasionally amuse themselves by dancing in the iglu. I have often seen the natives, especially the children and young people, dancing in the open air, and the dancing was always of very much the same character. The feet were but slightly moved, keeping time to the music, while the body swayed gracefully and the arms were waved from side to side. All the dancing which I saw was rather quiet and graceful, but they told us that when they got warmed up at a great dance they went at it with tremendous vigor, throwing off their garments to the waist. The dance which accompanies the song sung by the children to the aurora, however, is more violent. The dancer clenches his fists and, bending his elbows, strikes them against the sides of his body, keeping time to the song and stamping vigorously with the right foot, springing up and down with the left knee (see Fig. 373, from a sketch by the writer).
We never heard of any of the licentious festivals or orgies described by Egede[496] and Kumlien.[497]
The festivals of the eastern Eskimo appear to be less formal and elaborate than those in the west, consisting simply of singing and dancing.[498]
[TOYS AND SPORTS FOR CHILDREN AND OTHERS.]
[Playthings.]—
Though the children amuse themselves with a great many sports and plays, we saw very few toys or playthings in use. We brought home six objects which appear to have no use except as playthings.
Fig. 374a (No. 89806 [1189] from Nuwŭk) is a whirligig in principle very like that made for civilized children. It is a block of spruce, fitted with a shaft of narwhal ivory. This fits loosely in the straight tubular handle, which is a section of the branch of an antler, with the soft inside tissue cut out. A string of seal thong passes through a hole in the middle of the handle and is fastened to the shaft. This string is about 8 feet long, and about half of it is tied up into the hank to make a handle for pulling it. It works very much like a civilized child’s whirligig. The string is wound around the shaft and a smart pull on the handle unwinds it, making the block spin round rapidly. The reaction, spinning it in the opposite direction, winds up the string again. A couple of loose hawk’s feathers are stuck into the tip of the block, which is painted with red ocher for about an inch. Four equidistant stripes of the same color run down the sides to a border of the same width round the base. This was made for sale and appears to be an unusual toy. I do not recollect ever seeing the children play with such a toy. It is called kai´psa (Gr. kâvsâk, “a whirligig or similar toy”).
Fig. 374b is a similar whirligig from Utkiavwĭñ (No. 89807 [1356]). The block, which is 4.2 inches long, is made of the solid tip of a mountain sheep’s horn, and is elaborately ornamented with a conventional pattern of lines and “circles and dots,” incised and colored red with ocher. The shaft is of hard bone, and the line has a little wooden handle at the end. The block is so heavy that it will hardly spin.