The higher cards commence with a set of five parallel lines, placed somewhat to the left of the top right-hand corner. The space between the first and second lines is increased to indicate an ace; between the second and third, a king; between the third and fourth, a queen; and between the fourth and fifth, a knave. For the ten, nine, eight, and seven, the pattern is so arranged that the indicating lines terminate at the corner of the card. These being similarly treated, correspond with the four cards of that group. The six, five, four, and three, are respectively given by a similar band, which is so placed that it terminates upon the right hand side of the card, immediately below the top corner. The two is known by the fact of the card being unmarked; that is to say, the lines of all the bands are an equal distance apart, and are not tampered with in any way.

The suit is given by a band of lines, terminating some little distance below the top left-hand corner, on the left of the card. The first space (counting from the top) being widened, signifies a diamond; the second, a heart; the third, a club; and the fourth, a spade. If the reader has made the progress in 'sharping' which might reasonably be expected at this stage of his instruction, he should have no difficulty in distinguishing the suit of the ace in fig. 7. It is evidently the ace of clubs.

Fig. 7.

This pattern is of especial value to the man who can deal 'seconds,'[2] as in giving off the 'draft' at poker, and so on, by keeping the pack spread out a little, he can read off the values of the first four or five cards. That is the great advantage in having marks which come quite close to the edge.

We will conclude this subject of printed backs with a description of one of the best designs ever made (fig. 8). This pattern is particularly easy to read, even at a considerable distance, yet it is certainly not liable to detection by the uninitiated. To anyone who knows the secret, it appears strange that a pack of these cards may be given to a novice for examination, with the information that they are marked, and he will never find anything wrong with them. He may even examine them with a microscope, yet he will see nothing amiss. The reason is that he does not know what to look for. Most probably he will expect to find dots or marks, put on the card by hand. He might thus detect 'scroll work,' examples of which are given further on, though most likely 'shading' would escape his notice from the fact that it is something for which he is not prepared.

In this instance the distinguishing marks are two in number, one for suit and one for value. These are respectively indicated by variations in the form of the two small sprays in the left hand corner, round which lines have been drawn in the upper card (fig. 8).

Fig. 8.

The lower of the two sprays is caused to show the suit by being curved up or down, or having its termination formed into a suggestion of a spade or a heart, as will be seen on reference to the figure.