Craigenputtock is by no means "the dreariest spot in all the British dominions." On a sunny day it is an inland home, with wide billowy straths of grass around, inestimable silence broken only by the placid bleating of sheep, and the long rolling ridges of the Solway hills in front. But in the "winter wind," girt by drifts of snow, no post or apothecary within fifteen miles, it may be dreary enough. Here Carlyle allowed his wife to serve him through six years of household drudgery; an offence for which he was never quite forgiven, and to estimate its magnitude here seems the proper place. He was a model son and brother, and his conjugal fidelity has been much appraised, but he was as unfit, and for some of the same reasons, to make "a happy fireside clime" as was Jonathan Swift; and less even than Byron had he a share of the mutual forbearance which is essential to the closest of all relations.
"Napoleon," says Emerson, "to achieve his ends risked everything and spared nothing, neither ammunition, nor money, nor troops, nor generals, nor himself." With a slight change of phrase the same may be said of Carlyle's devotion to his work. There is no more prevailing refrain in his writing, public and private, than his denunciation of literature as a profession, nor are there wiser words than those in which the veteran warns the young men, whose questions he answers with touching solicitude, against its adoption. "It should be," he declares, "the wine not the food of life, the ardent spirits of thought and fancy without the bread of action parches up nature and makes strong souls like Byron dangerous, the weak despicable." But it was nevertheless the profession of his deliberate choice, and he soon found himself bound to it as Ixion to his wheel. The most thorough worker on record, he found nothing easy that was great, and he would do nothing little. In his determination to pluck out the heart of the mystery, be it of himself, as in Sartor; of Germany, as in his Goethes and Richters; the state of England, as in Chartism and Past and Present; of Cromwell or of Friedrich, he faced all obstacles and overthrew them. Dauntless and ruthless, he allowed nothing to divert or to mar his designs, least of all domestic cares or even duties. "Selfish he was,"—I again quote from his biographer,—"if it be selfish to be ready to sacrifice every person dependent on him as completely as he sacrificed himself." What such a man wanted was a housekeeper and a nurse, not a wife, and when we consider that he had chosen for the latter companionship a woman almost as ambitious as himself, whose conversation was only less brilliant than his own, of delicate health and dainty ways, loyal to death, but, according to Mr. Froude, in some respects "as hard as flint," with "dangerous sparks of fire," whose quick temper found vent in sarcasms that blistered and words like swords, who could declare during the time of the engagement, to which in spite of warnings manifold she clung, "I will not marry to live on less than my natural and artificial wants"; who, ridiculing his accent to his face and before his friends, could write, "apply your talents to gild over the inequality of our births"; and who found herself obliged to live sixteen miles from the nearest neighbour, to milk a cow, scour floors and mend shoes—when we consider all this we are constrained to admit that the 17th October 1826 was a dies nefastus, nor wonder that thirty years later Mrs. Carlyle wrote, "I married for ambition, Carlyle has exceeded all that my wildest hopes ever imagined of him, and I am miserable,"—and to a young friend, "My dear, whatever you do, never marry a man of genius."
Carlyle's own references to the life at Craigenputtock are marked by all his aggravating inconsistency. "How happy we shall be in this Craig o' Putta," he writes to his wife from Scotsbrig, April 17th 1827; and later to Goethe:—
Here Rousseau would have been as happy as on his island of Saint Pierre. My town friends indeed ascribe my sojourn here to a similar disposition, and forebode me no good results. But I came here solely with the design to simplify my way of life, and to secure the independence through which I could be enabled to be true to myself. This bit of earth is our own; here we can live, write, and think as best pleases ourselves, even though Zoilus himself were to be crowned the monarch of literature. From some of our heights I can descry, about a day's journey to the west, the hill where Agricola and the Romans left a camp behind them. At the foot of it I was born, and there both father and mother still live to love me…. The only piece of any importance that I have written since I came here is an Essay on Burns.
This Essay,—modified at first, then let alone, by Jeffrey,—appeared in the Edinburgh in the autumn of 1828. We turn to Carlyle's journal and find the entry, "Finished a paper on Burns at this Devil's Den," elsewhere referred to as a "gaunt and hungry Siberia." Later still he confesses, when preparing for his final move south, "Of solitude I have really had enough."
Romae Tibur amem ventosus, Tibure Romam.
Carlyle in the moor was always sighing for the town, and in the town for the moor. During the first twenty years of his London life, in what he called "the Devil's oven," he is constantly clamouring to return to the den. His wife, more and more forlorn though ever loyal, consistently disliked it; little wonder, between sluttish maid-servants and owl-like solitude: and she expressed her dislike in the pathetic verses, "To a Swallow Building under our Eaves," sent to Jeffrey in 1832, and ending—
God speed thee, pretty bird; may thy small nest
With little ones all in good time be blest;
I love thee much
For well thou managest that life of thine,
While I! Oh, ask not what I do with mine,
Would I were such!
The Desert.
The monotony of the moorland life was relieved by visits of relations and others made and repaid, an excursion to Edinburgh, a residence in London, and the production of work, the best of which has a chance of living with the language. One of the most interesting of the correspondences of this period is a series of letters, addressed to an anonymous Edinburgh friend who seems to have had some idea of abandoning his profession of the Law for Literature, a course against which Carlyle strenuously protests. From these letters, which have only appeared in the columns of the Glasgow Herald, we may extract a few sentences:—