Prints published by Mr. Hogarth: Genuine Impressions[1] of which are to be had at Mrs. Hogarth's House in Leicester Fields, 1782.
| Size of the plates in inches | l. | s. | d. | |
| 16 by 14 | Frontispiece | 0 | 3 | 0 |
| 15½ by 12½ | Harlot's Progress, six prints | 1 | 1 | 0 |
| 16 by 14 | Rake's Progress, eight prints | 2 | 2 | 0 |
| 18 by 15 | Marriage a-la-mode, six prints | 1 | 11 | 6 |
| 19 by 15½ | Four Times of the Day, four prints | 1 | 0 | 0 |
| 16½ by 13 | Before and After, two prints | 0 | 5 | 0 |
| 18½ by 13½ | Midnight Conversation | 0 | 5 | 0 |
| 16 by 14 | Distress'd Poet | 0 | 3 | 0 |
| 16 by 14 | Enraged Musician | 0 | 3 | 0 |
| 18 by 14 | Southwark Fair | 0 | 5 | 0 |
| 20¾ by 16½ | Garrick in King Richard III. | 0 | 7 | 6 |
| 18 by 12 | Calais, or the Roast Beef of Old England | 0 | 5 | 0 |
| 20½ by 16 | Paul before Felix | 0 | 7 | 6 |
| Ditto, | Ditto, with Alterations | 0 | 6 | 0 |
| 20½ by 16½ | Moses brought to Pharaoh's Daughter | 0 | 7 | 6 |
| 22 by 17 | March to Finchley | 0 | 10 | 6 |
| Ditto, | Strolling Actresses dressing in a Barn | 0 | 5 | 0 |
| Ditto, | Four Prints of an Election | 2 | 2 | 0 |
| 19½ by 12 | Bishop of Winchester | 0 | 3 | 0 |
| 14 by 10½ | Idleness and Industry, 12 prints | 0 | 12 | 0 |
| 14 by 9 | Lord Lovat | 0 | 1 | 0 |
| 10½ by 8½ | Sleeping Congregation | 0 | 1 | 0 |
| 12 by 8½ | Country-Inn Yard | 0 | 1 | 0 |
| 14 by 10½ | Paul before Felix, Rembrant | 0 | 5 | 0 |
| 9 by 8 | Various Characters of Heads | 0 | 2 | 6 |
| 6½ by 7½ | Columbus breaking the Egg | 0 | 1 | 0 |
| 12 by 8½ | The Bench | 0 | 1 | 6 |
| 15 by 13 | Beer Street and Gin Lane, two prints | 0 | 3 | 0 |
| Ditto, | Four Stages of Cruelty, four prints | 0 | 6 | 0 |
| 15 by 12½ | Two Prints of an Invasion | 0 | 2 | 0 |
| Ditto, | A Cock Match | 0 | 3 | 0 |
| 9 by 8 | The Five Orders of Periwigs | 0 | 1 | 0 |
| 17 by 13 | The Medley | 0 | 5 | 0 |
| 12 by 9½ | The Times | 0 | 2 | 0 |
| 12¾ by 9 | Wilkes | 0 | 1 | 0 |
| 10 by 11 | Bruiser | 0 | 1 | 6 |
| 9 by 7½ | Finis | 0 | 2 | 6 |
N. B. Any person purchasing the whole together may have them delivered bound, at the Price of Thirteen Guineas; a sufficient Margin will be left for framing.—The Analysis of Beauty, in Quarto, may also be had, with two explanatory Prints, Price 15 Shillings.
[1] Genuine impressions—Query, the meaning of such an epithet in this place?
[Credite Posteri!]
In the years 1781, 1782, &c. the following Pieces of Hogarth are known to have been sold at the prices annexed.
| Lord Boyne. | 5 | 5 | 0 |
| Charmers of the Age. | 5 | 5 | 0 |
| Booth, Wilks,&c. | 5 | 5 | 0 |
| Discovery. | 3 | 3 | 0 |
| Altar-piece. | 1 | 11 | 6 |
| Rich's Glory. | 4 | 4 | 0 |
| Beaver's Military Pun. | 3 | 3 | 0 |
| Blackwell's Figures. | 1 | 16 | 6 |
| Boys peeping, &c. | 1 | 1 | 0 |
| Apuleius. | 1 | 16 | 6 |
| Cassandra. | 1 | 11 | 6 |
| Beer Street with Variat. | 1 | 1 | 0 |
| Large Hudibras. | 5 | 5 | 0 |
| March to Finchley Aq. F. Proof. | 2 | 2 | 0 |
| Do. finished, without letters. | 5 | 5 | 0 |
| Festoon. Rt for Rich. III. | 1 | 1 | 0 |
| Power of Atty. F. Hosp. | 1 | 16 | 9 |
| Orator Henley. | 1 | 1 | 0 |
| Huggins. | 3 | 3 | 0 |
| Witch. | 3 | 3 | 0 |
| Jacobite's Journal. | 2 | 11 | 6 |
| Judith and Holophernes. | 1 | 1 | 0 |
| Sarah Malcolm. | 2 | 2 | 0 |
| Large Masquerade. | 2 | 2 | 0 |
| Small, first impression. | 1 | 16 | 6 |
| Scots Opera. | 0 | 15 | 0 |
| Woman swearing, &c. | 1 | 1 | 0 |
| Lady Byron. | 1 | 1 | 0 |
| Hogarth with Dog. | 2 | 2 | 0 |
| Do. Serjeant Painter. | 2 | 2 | 0 |
| Do. scratched over. | 2 | 2 | 0 |
| Perseus and Andromeda. | 2 | 2 | 0 |
| First Distrest Poet. | 1 | 1 | 0 |
| Do. Enraged Musician. | 1 | 1 | 0 |
| Motraye. | 2 | 2 | 0 |
| Bench, first impression. | 1 | 1 | 0 |
| Burlington Gate. | 1 | 1 | 0 |
| Sancho at Dinner. | 1 | 1 | 0 |
| First Election. | 3 | 3 | 0 |
| Fair. | 1 | 1 | 0 |
| Farmer's Return. | 0 | 10 | 6 |
| Gulliver. | 0 | 10 | 6 |
| Hen. VIII. and A. Bullen | 1 | 1 | 0 |
| Herring, proof impression. | 1 | 1 | 0 |
| Hogarth, Engr, Shop Bill. | 1 | 1 | 0 |
| Morell. | 0 | 10 | 6 |
| Pine. | 0 | 10 | 6 |
| Coat of Arms, Sir G. Page,&c. | 2 | 2 | 0 |
| Times, first impression. | 1 | 1 | 0 |
| Master of the Vineyard. | 2 | 2 | 0 |
| Turk's Head. | 2 | 2 | 0 |
| Harlot's Progress, first impression, red. | 10 | 10 | 0 |
| Marriage Alamode. | 3 | 3 | 0 |
| Rake's Progress. | 6 | 6 | 0 |
| Four Times. | 2 | 2 | 0 |
| Prentices, 1st impression. | 4 | 4 | 0 |
| Elections, 1st impression. | 6 | 6 | 0 |
| Garrick in Rich. III. | 1 | 1 | 0 |
| Gate of Calais. | 0 | 15 | 0 |
| Paul burlesqued. | 1 | 1 | 0 |
| Strolling Actresses. | 1 | 12 | 6 |
| Three additional Prints to Beaver, &c. | 2 | 2 | 9 |
| Milward's Ticket. | 4 | 4 | 0 |
| Music introduced to Apollo. | 1 | 11 | 6 |
| Martin Folkes, mezzotinto | 0 | 10 | 6 |
| Spiller's Ticket. | 5 | 5 | 0 |
| Two plates to Milton. | 2 | 2 | 0 |
| Frontispiece to Leveridge's Songs. | 1 | 12 | 6 |
| Concert. St. Mary's Chapel. | 5 | 5 | 0 |