The earliest mention of the purchase of paper in England is believed to be in an original computus roll of the 43rd year of Edward III (nearly five centuries ago) relative to the receipts and disbursements of Halesowen Abbey; it is as follows: "Et in paper empt. pro literis et aliis necessariis domus, 12d."
ANCIENT SEAL OF WORCESTER.
After being lost for half a century, the seal of the Corporation of Worcester has been found at Rouen, in Normandy. The antiquity of this seal is not so curious, perhaps, as the locality where it has been found. The device is a church, surrounded by a wall, having battlements on it, and round the device is the inscription—"SIGILLUM COMMUNE CIUIVM WIGORNIE," with something like the date "952." The figures, however, are very indistinct, though it is supposed by a writer in the "Worcester Herald" that they may refer to the date of King Edgar's reign, who was a great friend to the city of Worcester, and might have fortified it about that era; but then the use of figures was not adopted in England, or in Europe generally, till some centuries after the date assigned.
DESTROYING AN IMAGE AT WORCESTER.
In Macaulay's "History of England," vol. iv, p. 461, it is stated, that when the Dutch army was marching from Torbay towards London, in 1688, Sir Edward Harley, of Brampton Brian, and his son Robert (afterwards, as Earl of Oxford, Queen Anne's minister, and a high churchman) declared for the Prince of Orange and a free parliament, raised a large body of horse, took possession of Worcester, and evinced their zeal against Popery by publicly breaking to pieces, in the High Street, a piece of sculpture which, to rigid precisians, seemed idolatrous.
EAST WINDOW OF ST. JOHN'S CHURCH.
"A Stranger," writing to one of the local newspapers a few months ago, drew the attention of antiquaries to some painted glass in the great east window of the above church which is not noticed by Dr. Nash or Mr. Green, the Worcester historians. There is (he says) a head with long flowing hair and a forked beard, and another head with the face close shaven and a coronet. The first of these, I should suggest, was painted in the reign of Richard II; on his tomb in Westminster Abbey there is his effigy with a forked beard; and on the tomb of Edward III, in the same place, his effigy has the long flowing hair. The head with the coronet is exactly like one in the great church in Cirencester, of which there is a coloured engraving in Mr. Lyson's Gloucestershire Antiquities: that is supposed to be the head of Edward IV's father, whose "feodary" (an official something between an English steward and an Irish middleman), built this part of the church. Dr. Nash mentions two circumstances connected with St. John's which coincide with these dates. He says that in 1371, only six years before the reign of Richard II, William de Lynne, Bishop of Worcester, suppressed the Chapel of Wyke and constituted St. John's a vicarage; and that in the first year of the reign of Edward IV, the Prior of Worcester granted to the Corporation the privilege of attending Divine service at the Cathedral with their officers, but if any officer should arrest, or do any act in the monastery sanctuary, or St. John's, he should "forfeit his mace and office without any hopes of restitution." This grant is witnessed by John Carpenter, then Bishop of Worcester; Sir Thomas Littleton, Serjeant-at-Law (the very celebrated Judge who was buried, in the Cathedral); and others. There is also a figure kneeling. This is a Saint, as he has the nimbus round his head, and from his young and beardless face it is probably St. John. There is also between this figure and the coroneted head a grotesque head with the mouth open and the tongue protruded. This I never before saw in a window, or inside a church, though it is very common in carving on the outside of churches. These grotesques are by some supposed to represent the deadly sins—the evil passions and the like. May not this device be founded on Isaiah ch. lvii, v. 4?
BISHOP THORNBOROUGH'S MONUMENT.
The Rev. O. Fox, incumbent of Knightwick-cum-Dodenham, late head master of the Worcester College School, has advanced the following ingenious theory to account for the remarkable epitaph on the above monument in the Lady Chapel of Worcester Cathedral, which has long puzzled our local and other antiquaries. The epitaph (he says) was prepared by the Bishop himself fourteen years before his decease in 1641, at the age of 94. He was addicted to alchemy, and published a book in 1621, entitled [Greek: Dithotheôrikos] Διθοθεωρικος, sive, Nihil aliquid, omnia, &c. In the course of some recent studies in the Pythagorean philosophy, my attention was accidently engaged by this inscription; and it at once struck me that it was thence that the explanation was to be derived. The epitaph is as follows: on one side,