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ST. PAUL’S, London. A fine Case by Grinling Gibbons, the design is exceptional for one of Father Smith’s instruments[Frontispiece].
ST. LAWRENCE, Jewry, London. One of Harris’s Organs, of nearly perfect design, according to the old French rules. Since I sketched this Organ, it has been rebuilt, and the Case much enlarged in the same style [10–11]
ST. MAGNUS THE MARTYR, London Bridge. A good Case of peculiar design. This instrument is remarkable as one of the earliest that had a Swell Organ introduced [10–11]
ST. SEPULCHRE’S, London. A fine Case in Harris’s style [10–11]
ST. WOLFRAM, Abbeville. A good specimen of a French Renaissance Organ Case [12–17]
ST. ETIENNE, Beauvais. A nice French-designed Organ Case [12–17]
THE CATHEDRAL, Rheims. A grand Organ Case in the French style [12–17]
THE CATHEDRAL, Rouen. A very large fine Organ Case. The four similar flats in the Great Organ are a blemish [12–17]
ST. MACLOU, Rouen. A very pretty French Organ [12–17]
ST. OUEN, Rouen. An elaborate Organ in the French style [12–17]
THE CATHEDRAL, Troyes. An excellent example of a French Organ in a western gallery [12–17]
THE CATHEDRAL, Antwerp. A fine elaborate Case [18–21]
ST. PAUL’S, Antwerp. A fine Case, the carved work of which is perhaps the best in Belgium [18–21]
ST. BAVON, Ghent. A well designed and well carved Case [18–21]
OUDE KERK, Amsterdam. A fine Case, of a thoroughly Dutch pattern [22–24]
ST. JOHN’S, Gouda. A quaint Dutch Case [22–24]
ST. BAVON, Haarlem. A very fine Case, the effect of which is damaged by being painted [22–24]
ST. JANS KERK, Hertogenbosch. Said to be one of the finest Cases in Europe [22–24]
ST. LAWRENCE, Rotterdam. A very fine Dutch Case, in a sober style [22–24]
THE CATHEDRAL, Freiburg-im-Bresgau. A good example of a hanging Organ [25–27]

INDEX TO NOTES ON ORGANS.

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