Lord Garrow looked the grief appropriate to the news, and disguised, as well as he could, his dismay at its probable development. He murmured, “Tut! tut!” a number of times, held up his hands, and nodded his head from side to side.
“I wish nothing said against poor Agnes,” observed Reckage; “her mistakes are those of a generous, impetuous girl. Don't judge her hastily. All, I feel certain, has happened for the best.”
“Tut! tut!” repeated his lordship.
“I am devoted to dear Agnes,” said Sara, “but I never, never thought that she was the wife for Beauclerk.”
Then she stepped forward to greet Lady Augusta Hammit, who was at that moment announced. Lady Augusta was a tall woman about thirty-five years of age, with a handsome, sallow face, a superb neck, beautiful arms, hair the colour of ashes, pale lips, and large, gleaming white teeth. Unmarried, aristocratic, ordinarily well-off, and exceptionally pious according to her lights, she was a prominent figure in all work connected with the Moderate Party in the Church of England. In her opinion, foreigners might be permitted the idolatries of Rome; as for the English, Wesley was a lunatic; Pusey, a weak good creature; Newman was a traitor; Manning, a mistake. The one vital force on whom she depended for her spiritual illumination and her life's security was the Rev. Edwin Pole-Knox. “Pole-Knox,” she said, “will save us yet.” This good and industrious young man, a few years her junior, had been chaplain—mainly through Lady Augusta's devoted exertions—to three bishops. He did every credit to his patroness, but hints were already in the air on the subject of ingratitude. Some said he lacked ambition; others murmured dark conjectures about his heartlessness. It was left to the Lady Augusta's fellow-labourers in the sphere of beneficence to blurt out, with odious vulgarity, that he would never marry her in this world. She entered the room that evening in her haughtiest manner, for Pole-Knox was following close upon her heels, and she wished to justify the extreme deference which he showed her so properly in public, and perhaps with morbid conscientiousness in tête-à-tête.
“I don't know how I shall get through the winter,” she observed, in reply to Lord Garrow's inquiries about her health. “I am working like a pack-horse.” Here she caught Pole-Knox's name and bowed mechanically, without seeing him, in his direction. The entire afternoon they had been looking together over the accounts of a Home for Female Orphans, and poor Lady Augusta had been forced to see that whatever fire and enthusiasm her protégé could display in tracking down the orphans' dishonest butcher, his respect where she was concerned verged on frigidity.
Lady Larch was the next arrival, and as she was famous for her smile, she used it freely, not fatiguing herself by listening to remarks, or making them. In her youth she had been called bonnie; she was still pleasant to look upon. She talked very little, and perhaps on this account her few sayings were treasured, repeated throughout society, and much esteemed. “Surely it is a mistake to give men the notion that all good women are dull” was one of her classic utterances. Another ran, “Those who are happy do not trouble about the woes of the human race.” Another, “The Dissenters belong essentially to a non-governing class—a vulgar class.” These will serve to show the scope of her observation and the excellence of her intentions. In fact, she was often found dull. She was not especially disturbed about the woes of humanity, and her maternal grandfather had been a Presbyterian cotton-merchant. She bore Pole-Knox away to a far corner and begged to be told all the latest details of Miss Carillon's abominable conduct.
“I do not exactly know,” said she, “the state of things. The poor dear Bishop must be in a dreadful state.”
Orange came in with Aumerle and Hartley Penborough. Lady Augusta, who was a kind, sincere woman, pressed his hand warmly, and showed with her eyes that she appreciated the difficulties of his position. He had aged, Sara thought, and he looked as though he suffered from sleeplessness; otherwise, in manner and in all ways, he was just as he had always been.
Sara looked at him, and, looking, she read the secret thoughts in his mind. Yes, she was to him, no doubt, the undisciplined, passionate girl who lived on admiration, excitement, and false romance. He owned her beauty; he excused her faults; he liked her. Of all this she was certain. Reckage's warning had encouraged her to believe that Orange's self-control was a hard achievement—by no means any matter of a disposition naturally cold. If it were merely to be a struggle of wills, her will would prove the stronger. She meant to have her way this time. Wasn't it the critical moment of his life? Every instinct had been roused—ambition, the love of adventure, the love of a woman. For a short while the means had been given him, humanly speaking, of gratifying these great passions. And then, at a stroke, he was once more poor and dependent, once more in a ridiculous position, and the woman he loved was further from his reach than ever. He still had the privilege of fighting and breaking his heart in the market-place. He could still enjoy some kind of a career. Yet the long, embittering struggle with poverty and disappointed affection could but appear to him now desolate indeed, barely worth the difficult prizes of success. Lady Sara was young, and she made the mistake, eternally peculiar to her sex, of placing love first, rather than last, among the forces in a strong nature. No powerful being ever yet either stood by the glory, or fell by the disasters, of a love-affair alone, uncomplicated by other issues. It does its work: it must touch, in many ways, the whole character; but it is, in the essence of things, a cause—not an effect. To Sara there was one only consuming interest in life—love. All her talents were directed to the gaining, understanding, and keeping of this wonderful human mystery. She wanted wild scenes and ungovernable emotions: she was beautiful enough to figure in such situations, and fascinating enough to indulge in such crises without offence to the artistic proprieties. But she had resolved that the hero of her existence must, at least, look his part. No one denied that Orange had a remarkable personality. Every one admitted that he was clever. These were the sternest estimates of his claim to social recognition. But she knew him to be a de Hausée. She thought him superbly handsome. She had Disraeli's opinion that he was a genius. Here was a case where love would not have to be blind. Love, in this case, could defy the scornful and the proud. At last she could say, “My fate!” and call the whole world to witness her surrender. “Whether he loves me, or whether he hates me,” she thought, “I have chosen him.” Sinætha, weaving spells by the moon, was not more determined or more irretrievably in love than Sara. The danger of such wild moods is as attractive to the very young as it is terrifying to the more mature. Perfectly conscious of her beauty, she felt able to defy, sue, and conquer at the same moment. Orange had never seen her to such brilliant advantage. The instant he entered the room and met her eyes, which shone with a most touching kind of timidity and a most flattering joy, he had to realise the need of strict discipline where constancy is a rule of existence. Sara's laugh, movements, way of talking, played a good deal on the heart, but even more upon the senses. Brigit's lovely face gained intensity only under the influence of sorrow. Then it became human. At other times it was merely exquisite. Now Sara's countenance had all the changing qualities of nature itself. She had, too, the instinctive arts of sympathy which are so much rarer than the actual gift. Far enough was Sara from the triumph which she was imagining; far enough was Orange from the least disloyalty; but he was fully alive to the danger of regarding her as a woman to be fought against. To fight in such cases is to admit fear of conquest.