Photo—Lawrence, Dublin.
The Gap of Dunloe.
The nearest boat place for Innisfallen is at Ross Castle. We approach it from the high road across the moat, where once the drawbridge was let up and down. The old keep, wearing a cotamore of ivy, still guards the water's edge. By a spiral stone staircase we reach the battlements and look out across the lake.
The Castle held out for Charles the First, but was dismantled by Ludlow. It was originally a fort of "The O'Donoghue," the chief who centres in the many traditions which the boatmen weave around every object of interest in Killarney. He lies enchanted beneath the lake, with a city full of his people. But at times he has come across the water on his fiery steed, or danced to the Rincead-fadda on the shores. Whoever sees him is fortunate, because he gives "good luck, which is better than money," to all whose eyes meet his.
The Gap of Dunloe is a gloomy mountain pass cut through the rough rocky slope in the hills between the Toomies and the Macgillicuddy's Reeks. It is a magnificent defile, four miles long. The rough bridle-path running through it, at times almost on the edge of precipices, beneath which the wild goats flock. It is approached by a winding road, embroidered on one side by a shady little grove of fir, larch, stunted oaks, and mountain ash. Through the little windows between the trees, when the sun shines, the reflection of the river Loe is caught, as it creeps humbly on its way to the lakes. On the other side, the mountains throw up a huge wall. Bidding good-bye to the little grove, vegetation seems to fear to enter the desolate, sterile places in the throat of the Gap. Where the river widens, at Cushvalley Lough, the industrious echo-makers most usually greet the visitor. One has scarcely recovered from the warmth of their courteous welcome, when some suggestive volunteer, aborigine to the place, with a "Mr. Bugler, God spare you your wind," secures their services; although you do not call the tune, you are expected to pay the musicians. But the trifle spent on the gunpowder for their cannons, or the breath from their lungs, is well repaid by the mighty mass of air they start into waves of music. Here, too, the "auxiliary forces," or pony boys, besiege us with their sure-footed, shaggy "coppaleens." They have come galloping down the pass at break-neck speed to lend us the assistance of their light cavalry. Wonderful creatures they are, these horses and riders. The peasant boys are for all the world the modern prototypes of those "rake-helly horse boys" of Queen Elizabeth's reign, who filled so many pages of the State papers. Sinew and muscle knit their loose limbs together, and, in their eyes, mild and calm as those of the quiet cattle in the field, but like the surface of their native lakes, covering unfathomed depths, they conceal souls swept by deep thoughts, and minds clouded by many memories. The long unrenewed, but still to be distinguished, Spanish strain is shown in many of their olive-tinted faces and dark features. But guides safe, and true, and courteous are they, who know every perch of the dark Pass, where at times the craggy cliffs shut out the canopy of the sky, and attempt to precipitate themselves across the track. The point where the path is narrowest, the peasants have called the "Pike." From it onward the mountains begin to recede, and the Pass is more open until, crossing a shoulder of the Purple Mountain past the three great expansions of the Commeen Thomeen Lakes, into which St. Patrick is said to have driven the last serpent, we suddenly come on a surprising spectacle of magnificent scenery. Here, from the head of the Gap, we see the Upper Lake spread beneath, to the west, Coomeenduff, or the Black Valley, dark as the valley of the shadow of death, in charming contrast with the stern grandeur of the mountains. Their melancholy seems to reign supreme; the long valley is steeped with shadows in which several lakes are set, the light upon which only heightens the sublime darkness of the surroundings. The longest of these lakes is called Lough Nabricderg, or the "Pool of the Red Trout." Far and wide beneath us lies what, in the old times, was MacCarthy More's country, and into which so often the Fiery Cross was sped, when the chief of the great clan went into action.
Ruskin's ideals of mountains as the great cathedrals of the earth, with their gates of rock, pavements of cloud, choirs of stream and stone, altars of snow, and vaults of purple, traversed by the continual stars, can nowhere be realized more readily than in Killarney. Here the mysterious summits, warm with the morning tints or evening's glow, will delight and refresh again and again, and reflect to us imperishable memories. Crossing the Flesk, if Mangerton be the desired point, seven good miles are to be traversed. From the Muckross, a short detour will, if desired, lead to Flesk Castle, standing on a finely wooded hill above the wide sweeping river. Eastward, along the Kenmare road, and southward for a mile, the mountain path is met. From here, either on foot or on a pony, the ascent of Mangerton may be made. The first important object that comes in view is Lough Kittane, at the eastern base of the mountain. It is nearly five miles in circumference, and its waters contain four islands. The ravine behind the lake, with Mangerton on the west and Crohane mountain on the east, is the "mustering place of the winds," Coomnageeha. In this ravine the Blackwater flows. There are two small lakes, Loughnabraude and "the Lake of Beech-crowned Rock," Lough Carrigaveha. Away in the bed of the mountains is Keimva Lochlin—the pass of the Danes—reminding the historian of "Stern Lochlin's sons of roving war," and Dereenanawlar, or "the little oakwood of eagles." Moving still higher, eastward the mountains melt into the distant counties of Cork and Limerick, and beneath, the smaller highlands recall the Psalmist's description of
"The hills like the lambs of the flock."
