But the great attraction within the mosque is the celebrated rock called by the Arabs es-Sukhrah. Situated directly beneath the dome, it is unquestionably the summit ridge of Mount Moriah, and consists of a naked limestone rock of a grayish color, sixty feet long, fifty-five wide, and rises five feet above the surrounding floor. Over it, suspended from the piers, is the war-banner of Omar, made of the richest crimson silk; around it is an iron railing, with arrow-headed points tipped with gilt, and on it stand metallic candlesticks resembling Syrian lilies.

The fertile imagination of the Asiatic has invested this rock with peculiar sanctity. According to a Mohammedan legend, it descended from heaven when the spirit of prophecy was withdrawn from earth, and attempted to return to its native quarry when the Prophet ascended to glory, but was only restrained by the powerful arm of Gabriel. Refusing to touch the earth again, it remains suspended in the air seven feet above the top of Mount Moriah! Arrogant in their spirit as they are legendary in their taste, the Moslems believe that all the water on the earth flows from beneath this rock; and that in one of its unvisited caves are still preserved the armor of Mohammed, the saddle of his favorite beast, the scales for weighing the souls of men at the last judgment, the birds of Solomon, the pomegranates of David, and a silver urn which was thrown from its pedestal by Gabriel’s wing on the ever-memorable night of the Prophet’s ascension.

Reached by a flight of stone steps is the “Noble Cave,” excavated in the heart of the rock, which is of irregular shape, eight feet high and sixty in circumference. To deceive the unwary, and sustain the story that the rock is suspended in the air, a plastered wall incloses the sides of the vault, which, on being struck, emits a hollow sound, indicating a vacant space beyond. In the centre of the floor is a marble star, said to cover the mouth of Hades. It is more probably the entrance to that great cavern beneath the city, which, according to tradition, extends to this point.

Rejecting the idle tales of a false faith, the es-Sukhrah has a history replete with interest to every Christian.Forming the ridge of Mount Moriah, here Abraham offered his son;[124]here stood the destroying angel when about to smite Jerusalem for the offense of an ambitious king;[125]here was the threshing-floor of Ornan, which David purchased to offer thereon a sacrifice to stay the hand of the avenging messenger;[126]and on it rested the altar of burnt-offerings in the first and second temples.[127] Viewed in this light, the “Noble Cave” was no doubt the cess-pool of the altar of burnt-offerings, into which the immense quantity of sacrificial blood was conveyed by the drain that encompassed the altar.

From the southern portal of the Mosque of Omar a paved pathway leads to the Mosque of El-Aksa, lined on either side with olives, palms, and acacias. Near this avenue is the elegant Pulpit of David, from which prayers are offered for the health of the Sultan and the triumph of his arms. Extending a distance of 350 feet, the path terminates at the porch of El-Aksa. Standing near the southwest corner of the Temple area, and close to the southern wall, this mosque covers an area of 50,000 square feet. Measuring 280 feet long and 180 wide, its aisles and nave are forty-eight feet high, and its dome 130. Though in its general appearance the architecture is a compound of the Gothic and the Saracenic, yet, owing to the frequent alterations and numerous additions of the mosque, it is difficult to assign it a classification. Facing the north, the imposing porch extends the entire breadth of the building, and is divided into seven sections by arches supported by slender columns. It is paved with marble, and is reached by eight steps worn smooth by the feet of twelve centuries. The façade is penetrated by seven portals opening into the interior, which consists of a grand nave, three aisles on either side, and a transept surmounted with a noble dome. The aisles and nave are formed by forty-five marble columns, resembling the imposing colonnades in the magnificent basilicas of Santa Maria Maggiore and San Paolo fuori le Mura in Rome. Springing from these columns are arches connecting aisle with aisle, and supporting the roof and dome. The pavement, now of stone, was once adorned with beautiful mosaics, the remaining fragments attesting the pristine grandeur of this ancient temple of Christian worship. Beneath the dome is the elaborately-carved Pulpit of Saladin, and near it is the gallery for the singers. Deriving their name from the daughter of the Prophet, theFatimites ordered a large section of the mosque to be partitioned off and appropriated for the devotions of women. In the western end of the transept are two polished marble columns standing ten inches apart, and designedly arranged to discover the faith of him who essayed to pass between them; no one, according to the legend, but a true believer in the Koran could hope for success. Once regarded as an infallible test, the charm, however, is now broken, as many a Christian has succeeded in the attempt. Within this mosque is a fountain called the “Well of the Leaf,” receiving its name from the circumstance that centuries ago, one of the faithful, having descended to the bottom to recover a lost bucket, unexpectedly found a door opening into the delightful gardens of Paradise, into which he walked, and, plucking a leaf from one of its fair trees, returned, bearing with him the celestial memento, which proved its heavenly origin and nature by retaining its freshness.

With the ever-changing fortunes of the Holy City, the Mosque of El-Aksa has passed from master to master. Originally a Christian basilica, built by order of the Emperor Justinian in the sixth century, and by him dedicated to “My Lady,” the Virgin Mary, a hundred years thereafter it was converted into a temple of Moslem worship. Four and a half centuries later, Tancred and his brave knights drove out the Arabians, and reconsecrated the Church of Justinian to the Blessed Virgin. In 1119 A.D. Baldwin II. gave it to his followers, whom he was pleased to call “the poor fellow-soldiers of Jesus Christ,” and for whose accommodation he erected on its eastern side a dormitory, refectory, and infirmary. A gift so humble was the beginning of the wealth, power, and glory of the Knights Templars, whose mystic kingdom afterward extended to the farthest limits of Christendom, and who received the benedictions of pontiffs, the homage of kings, and the donations of the pious. Beneath the green sod in front of the venerable basilica were interred, in the year of our Lord 1170, the four knights who, at the instigation of Henry II., assassinated Thomas à Becket in the ancient cathedral of Canterbury. Remaining in the possession of the Crusaders for eighty-eight years,in 1187 A.D. Saladin marched against Jerusalem, captured the city, put the Templars to the sword, and reopened the portals of the mosque to the children of the Prophet.[128]

Whatever pleasure is experienced in recalling the ever-shifting fortunes of Moslem and Christian, and in reciting the legends of the one and the traditions of the other, the traveler turns away from scenes and memories so romantic to explore with deeper interest the works of Solomon.

Thirty feet to the east from the Mosque of El-Aksa is the entrance to a subterranean passage-way. A flight of stone steps leads down to a broad and well-made avenue 259 feet long, forty-two wide, thirty high, and having a gentle descent of 200 feet. Extending through the centre are two rows of monolithic columns, connected by arches supporting the ceiling, which is composed of flattened domes. These domes are formed of large blocks of limestone, and each one has a circular keystone six feet in diameter—a style of architecture nowhere else to be found, except in some of the ancient tombs beyond the city, indicating a contemporaneous age. Guided by the light of our wax tapers, we advanced a distance of 259 feet to a flight of nine steps leading down into an entrance-hall fifty feet long and forty-two wide. In the very centre stands a massive column twenty-one feet high and six in diameter, consisting of a single block of limestone, including a foliated capital, on which is carved a palm-branch. From this central pier, and from pilasters on the sides of the hall, spring arches on whichrests a vaulted ceiling of extraordinary workmanship. And corresponding, both in its size and grandeur, is the original gateway in the south wall of the city, the exterior of which is seen in part where the city wall joins that of the Haram. Having a breadth of forty-two feet, it is divided in the centre by a rectangular pier eight feet broad, and, extending inward twelve feet, has a pillar-shaped termination. Both the pier and jambs of the gateway are constructed of bevel stones of great size and well finished. This is evidently one of the approaches to the ancient city, and no doubt up through this colonnaded avenue Christ and his disciples often passed to the House of the Lord. In some lateral vault leading from this covered way, the Jews believe the treasures and furniture of their Temple are now concealed; and so prevalent is this opinion, that a breach has already been made in the wall to discover the place of concealment.

SOLOMON’S SUBTERRANEAN PASSAGE-WAY.