The Book of Curiosities

by John Platts

The temple is thirty-three yards long, and thirteen or fourteen broad. It points north and south; and exactly in the middle of the building on the west side, is a most magnificent entry, on the remains of which are some vines and clusters of grapes, carved in the most masterly imitation of nature that can be conceived. Just over the door are discerned a pair of wings, which extend its whole breadth; but the body, whether of an eagle or an angel, is destroyed. The north end of this temple is adorned with the most curious fret-work in bas-relief; and in the middle is a dome, or cupola, about ten feet diameter.

North of this place is an obelisk, consisting of seven large stones, besides its capital. It is about fifty feet high, and just above the pedestal is twelve feet in circumference. About a quarter of a mile from this pillar, to the east and west, are two others, besides the fragment of a third. About 100 paces from the middle obelisk, is a magnificent entry to a piazza, which is forty feet broad, and more than half a mile long, inclosed with two rows of marble pillars twenty-six feet high, and eight or nine in compass. Of these there still remain 129, but there must originally have been no less than 560. The upper end of the piazza was closed by a row of pillars.

To the left are the ruins of a stately banqueting-house, built of better marble, and finished with yet greater elegance, than the piazza. The pillars which supported it were of one entire stone. It measures twenty-two feet in length, and in compass eight feet nine inches.

In the west side of the piazza are several apertures for gates into the court of the palace. Each of these were adorned with four porphyry pillars, placed by couples in the front of the gate facing the palace, two on each side. Two of these only remain entire. They are thirty feet long, and nine in circumference. On the east side of the piazza stands a great number of marble pillars, some perfect, but the greater part mutilated.

At a little distance are the remains of a small temple, without a roof. Before the entry, which looks to the south, is a piazza supported by six pillars, two on each side of the door, and one at each end. The pedestals of those in front have been filled with inscriptions, both in the Greek and Palmyrene languages, which are become totally illegible.

Among these ruins are many sepulchres. They are all square towers, four or five stories high. There is a walk across the whole building; the space on each hand is subdivided into six partitions by thick walls. The space between the partitions is wide enough to receive the largest corpse; and in these niches there are six or seven piled one upon another. Many inscriptions have been found at Palmyra, which have occupied much of the attention of the learned.

Ruins of Herculaneum and Pompeii,—two ancient cities of Campania in Italy, which were destroyed by an eruption of Vesuvius, in the first year of the emperor Titus, or the 79th of the Christian æra, and lately rendered famous on account of the curious monuments of antiquity discovered in their ruins; an account of which has been published by order of the king of Naples, in a work of six volumes folio. The epocha of the foundation of Herculaneum is unknown. Dionysius of Halicarnassus conjectures that it maybe referred to sixty years before the war of Troy, or about 1342 B. C.; and therefore that it lasted about 1400 years. The thickness of the heaps of lava, by which the city was overwhelmed, has been much increased by fiery streams vomited since that catastrophe, and now forms a mass twenty-four feet deep, of dark grey stone, which is easily broken in pieces. By its non-adhesion to foreign bodies, marbles and bronzes are preserved in it as in a case made to fit them, and exact moulds of the faces and limbs of statues are frequently found in this substance.

The precise situation of this subterraneous city was not known till 1713, when it was accidentally discovered by some labourers, who, in digging a well, struck upon a statue on the benches of the theatre. Many others were afterwards dug out, and sent to France by the prince of Elbœuf. But little progress was made in the excavations, till Charles, infant of Spain, ascended the Neapolitan throne, by whose unwearied efforts and liberality a very considerable part of Herculaneum has been explored, and such treasures of antiquity drawn out, as form the most curious museum in the world.

It being too arduous a task to attempt removing the covering, the king contented himself with cutting galleries to the principal buildings, and causing the extent of one or two of them to be cleared. Of these, the theatre is the most considerable. On a balustrade which divided the orchestra from the stage, was found a row of statues; and, on each side of the pulpitum, the equestrian figure of a person of the Nonian family. They are now placed under porticos of the palace; and from the great rarity of equestrian statues in marble, would be very valuable objects, were the workmanship even less excellent than it is: one of them in particular is a very fine piece of sculpture. The collection of curiosities brought out of Herculaneum and Pompeii, consist not only of statues, busts, altars, inscriptions, and other ornamental appendages of opulence and luxury; but also comprehend an entire assortment of the domestic, musical, and chirurgical instruments used by the ancients; tripods of elegant form and exquisite execution, lamps in endless variety, vases and basons of noble dimensions, chandeliers of the most beautiful shapes, pateras and other appurtenances of sacrifice; looking-glasses of polished metal; coloured glass, so hard, clear, and well stained, as to appear like emeralds, sapphires, and other precious stones; a kitchen completely fitted up with copper pans lined with silver, cisterns for heating water, and every utensil necessary for culinary purposes; specimens of various sorts of combustibles, retaining their form, though burnt to a cinder; corn, bread, fish, oil, wine, and flour; a lady’s toilet, fully furnished with combs, thimbles, rings, paint, ear-rings, and other articles.

Among the statues, which are numerous, a Mercury and a sleeping fawn are most admired by connoisseurs. The busts fill several rooms; but very few of the originals whom they were meant to imitate are known. The floors are paved with ancient mosaic. Few rare medals have been found in these ruins: the most curious is a gold medallion of Augustus, struck in Sicily, in the fifteenth year of his reign. The fresco paintings, which, for the sake of preservation, have been torn off the walls, and framed and glazed, are to be seen in another part of the palace.