This description of the Alhambra, concludes by observing how admirably every thing was planned and calculated for rendering this palace the most voluptuous of all retirements: what plentiful supplies of water were brought to refresh it in the hot months of summer; what a free circulation of air was contrived, by the judicious disposition of doors and windows; what shady gardens of aromatic trees; what noble views over the beautiful hills and fertile plains! No wonder the Moors regretted Granada; no wonder they still offer up prayers to God every Friday, for the recovery of this city, which they esteem a terrestrial paradise.
CHAP. LV.
CURIOSITIES RESPECTING TEMPLES, ETC.—(Continued.)
Seraglio—Museum—Colossus—and Obelisk.
Seraglio.—This word is commonly used to express the house or palace of a prince. In this sense it is frequently used at Constantinople: the houses of foreign ambassadors are called seraglios. But it is commonly used, by way of eminence, for the palace of the grand seignior at Constantinople; where he keeps his court,—where his concubines are lodged—and where the youth are trained up for the chief posts of the empire. It is a triangle, about three Italian miles round, wholly within the city, at the end of the promontory Chrysoceras, now called the Seraglio Point. The buildings run back to the bottom of the hill, and thence are gardens that reach to the edge of the sea. It is inclosed with a very high and strong wall, upon which there are several watch-towers; and it has many gates, some of which open towards the sea-side, and the rest into the city: but the chief gate is one of the latter, which is constantly guarded by a company of capooches, or porters: and in the night it is well guarded towards the sea. The outward appearance is not elegant; the architecture being irregular, consisting of separate edifices in the form of pavilions and domes. The ladies of the seraglio are a collection of beautiful young women, chiefly sent as presents from the provinces and Greek islands, and most of them the children of Christian parents. The brave prince Heraclicus for some years abolished the infamous tribute of children of both sexes, which Georgia formerly paid every year to the Porte. The number of women in the Harem depends on the taste of the reigning sultan. Selim had two thousand, Achmet had but three hundred, and the late sultan had nearly one thousand six hundred. On their admission, they are committed to the care of the old ladies, taught sewing, embroidery, music, dancing, &c. and furnished with the richest clothes and ornaments. They all sleep in separate beds, and between every fifth there is a preceptress. Their chief governess is called Katon Kiaga, or governess of the noble young ladies. There is no servant, for they are obliged to wait on one another by rotation; the last that is entered serves her who preceded her, and herself.
These ladies are scarcely ever suffered to go abroad, except when the grand seignior removes from one place to another, when a troop of black eunuchs convey them to the boats, which are inclosed with lattices and linen curtains; and when they go by land they are put into close chariots, and signals are made at certain distances, to give notice that none approach the roads through which they march. The boats of the Harem, which carry the grand seignior’s wives, are manned with twenty-four rowers, and have white covered tilts, shut alternately by Venetian blinds. Among the emperor’s attendants are a number of mutes, who act and converse by signs with great quickness, and some dwarfs, who are exhibited for the sultan’s amusement.
When he permits the women to walk in the gardens of the seraglio, all people are ordered to retire, and on every side is a guard of black eunuchs, with sabres in their hands, while others go their rounds to hinder any person from seeing them. If any one is found in the garden, even through ignorance or inadvertence, he is instantly killed, and his head brought to the feet of the grand seignior, who rewards the guard for their vigilance.
Sometimes the grand seignior passes into the gardens to amuse himself when the women are there, and it is then they make use of all their utmost efforts, by dancing, singing, seducing gestures, and amorous blandishments, to attract his affections. It is not permitted that the monarch should take a virgin to his bed, except during the solemn festivals, and on occasion of some extraordinary rejoicings, or the arrival of some good news. Upon such occasions, if the sultan chooses a new companion to his bed, he enters into the apartment of the women, who are ranged in files by the governesses, to whom he speaks, and intimates the person he likes best. As soon as the grand seignior has chosen the girl destined to be the partner of his bed, all the others follow her to the bath, washing and perfuming her, and dressing her superbly, and thus conduct her, with singing, dancing, and rejoicing, to the bedchamber of the grand seignior; and if by a certain time she becomes pregnant, and is delivered of a boy, she is called asaki-sultaness, that is to say, sultaness-mother. For the first son she has the honour to be crowned, and she has the liberty of forming her court: eunuchs are also assigned for her guard, and for her particular service. No other ladies, though delivered of boys, are either crowned or maintained with such costly distinction at the first; but they have their service apart, and handsome appointments. At the death of the sultan, the mothers of the male children are shut up in the old seraglio, whence they can never come out any more, unless any of their sons ascend the throne.