Some account of Kalmuck Praying Machines: from Travels in the Caucasus and Georgia.—“Among the most remarkable of the sacred utensils of the temples, is the Kürdä, a cylindrical vessel of wood or metal, either very small, or of immense size. In its centre is fixed an iron axle; but the interior of the cylinder, which is quite hollow, is filled with sacred writings, the leaves of which are all stuck one to another at the edge, throughout the whole length. This paper is rolled tightly round the axis of the cylinder till the whole space is filled up. A close cover is fixed on at each end, and the whole kürdä is very neatly finished, painted on the outside with allegorical representations, or Indian prayers, and varnished. This cylinder is fastened upright in a frame by the axis; so that the latter, by means of a wheel attached to it below, may be set a-going with a string, and with a slight pull kept in a constant rotatory motion. When this cylinder is large, another, twice as small, and filled with writing, is fixed for ornament at the top of it. The inscription on such prayer-wheels commonly consists of masses for souls, psalms, and the six great general litanies, in which the most moving petitions are preferred for the welfare of all creatures. The text they sometimes repeat a hundred, or even a thousand times, attributing, from superstition, a proportionably augmented effect to this repetition, and believing that by these frequent copies, combined with their thousands of revolutions, they will prove so much the more efficacious. You frequently see, as well on the habitations of the priests, as on the whole roof of the temple, small kürdä placed close to each other, in rows, by way of ornament; and not only over the gates, but likewise in the fields, frames set up expressly for these praying-machines, which, instead of being moved by a string, are turned by the wind, by means of four sails, shaped and hollowed out like spoons.
“Other similar kürdä are fastened to sticks of moderate thickness; a leaden weight is then fastened to the cylinder by a string, which, when it is once set a-going, keeps it, with the help of the stick, in constant motion. Such like prayer-wheels, neatly wrought, are fastened upon short sticks to a small wooden pedestal, and stand upon the altars, for the use of pious persons. While the prayer-wheel is thus turned round with one hand, the devotee takes the rosary in the other, and at the same time repeats penitential psalms.
“A fourth kind of these kürdä is constructed on the same principle as those which are turned by wind, only it is somewhat smaller, and the frame is adapted to be hung up by a cord, in the chimneys of the habitations or huts of the Monguls. When there is a good fire, they are likewise set in motion by the smoke and the current of air, and continue to turn round as long as the fire is kept up.
“A fifth kind of kürdä is erected on a small stream of water, upon a foundation like that of a mill, over which a small house is built to protect it from the weather. By means of the wheel attached to it, and the current, the cylinder is in like manner kept in a constant circular motion. These water kürdä are commonly constructed on a large scale, and maintained at the joint expense of the inhabitants of a whole district. They have a reference to all aquatic animals, whether alive or dead, whose temporal and eternal happiness is the aim of the writings contained in them, in like manner as the object of the fire. Kürdä is the salvation of the souls of all animals suffering by fire.”
Curious Account of an expiatory Penance at Calcutta.—About a mile from the town is a plain, where the natives annually undergo a very strange kind of penance on the 9th of April; some for the sins they have committed, others for those they may commit, and others in consequence of a vow made by their parents. This ceremony is performed in the following manner. Thirty bamboos, each about the height of twenty feet, are erected in the plain above-mentioned. On the top of these they contrive to fix a swivel, and another bamboo of thirty feet or more crosses it, at both ends of which hangs a rope. The people pull down one end of this rope, and the devotee, placing himself under it, the brahmin pinches up a large piece of skin under both the shoulder blades, sometimes in the breasts, and thrusts a strong iron hook through each. These hooks have lines of Indian grass hanging to them, which the priest makes fast to the rope at the end of the cross bamboo, and at the same time puts a sash round the body of the devotee, laying it loosely in the hollow of the hooks, lest, by the skin giving way, he should fall to the ground. The people then haul down the other end of the bamboo: by which the devotee is immediately lifted up thirty feet or more from the ground, and they run round as fast as their legs can carry them. Thus the devotee is thrown out the whole length of the rope, where, as he swings, he plays a thousand antic tricks; being painted and dressed in a very particular manner, on purpose to make him look more ridiculous. Some of them continue swinging half an hour, others less. The devotees undergo a preparation of four days for this ceremony. On the first and third, they abstain from all kinds of food; but eat fruit on the other two. During this time of preparation they walk about the streets in their fantastical dresses, dancing to the sound of drums and horns; and some, to express the greater ardour of devotion, run a wire of iron quite through their tongues, and sometimes through their cheeks.
Happy are Christians in being delivered from the darkness, absurdities, and horrors of superstition, by the bright effulgence of the Sun of righteousness!
CHAP. LXV.
CURIOSITIES RESPECTING VARIOUS PHENOMENA OR APPEARANCES IN NATURE.
| ———————A wand’ring fire Compact of unctuous vapour, which the night Condenses, and the cold environs round, Kindled through agitation to a flame, (Which oft, they say, some evil spirit attends,) Hovering, and blazing with delusive light, Misleads th’ amaz’d night-wanderer from his way Through bogs and mire. Milton. |