The next character was indeed a prodigy, that shone like a meteor, and soon vanished away. We shall introduce him under the name of Christian Henry Heinecken.
He was born at Lubeck, February 6, 1721, and died there, June 27, 1725, after having displayed the most amazing proofs of intellectual powers. He could talk at ten months old, and had scarcely completed his first year, when he already knew and recited the principal facts contained in the five books of Moses, with a number of verses on the creation: at thirteen months, he knew the history of the Old Testament; and the New, at fourteen; in his thirtieth month, the history of the nations of antiquity, geography, anatomy, the use of maps, and nearly 5000 Latin words. Before the end of his third year, he was well acquainted with the history of Denmark, and the genealogy of the crowned heads of Europe; in his fourth year he had learned the doctrines of divinity, with their proofs from the Bible; ecclesiastical history; the institutes; 200 hymns, with their tunes; 80 psalms; entire chapters of the Old and New Testaments; 1500 verses and sentences from ancient Latin classics; almost the whole Orbis Pictus of Comenius, whence he had derived all his knowledge of the Latin language; arithmetic; the history of the European empires and kingdoms; could point out, in the maps, whatever place he was asked for, or passed by in his journeys; and recited all the ancient and modern historical anecdotes relating to it. His stupendous memory caught and retained every word he was told: his ever active imagination used, whatever he saw or heard, instantly to apply some example or sentence from the Bible, geography, profane or ecclesiastical history, the Orbis Pictus, or from ancient classics. At the court of Denmark, he delivered twelve speeches without once faltering; and underwent public examination on a variety of subjects, especially the history of Denmark. He spoke German, Latin, French, and low Dutch, and was exceedingly good-natured, and well-behaved, but of a most tender and delicate bodily constitution; never ate any solid food, but chiefly subsisted on nurse’s milk, not being weaned till within a very few months of his death, at which time he was not quite four years old. There is a dissertation on this, published by M. Martini, at Lubeck, 1730, where the author attempts to assign the natural causes for the astonishing capacity of this great man in embryo, who was just shewn to the world, and snatched away.
The next character is of a different description, being famous for strength of body; he is named Thomas Topham.
This person was remarkable for muscular strength. He kept a public-house at Islington, and used to perform surprising feats, such as breaking a broomstick of the first magnitude, by striking it against his bare arm; lifting two hogsheads of water; heaving his horse over the turnpike-gate; carrying the beam of a house as a soldier would his firelock, &c. He also could roll up a pewter dish of seven pounds, as a man rolls up a sheet of paper; squeeze a pewter quart together at arms’ length; and lift two hundred weight with his little finger, over his head. At Derby, he broke a rope fastened to the floor, that would sustain twenty hundred weight; and lifted an oak table, six feet long, with his teeth, though half a hundred weight was hung at the extremity. He took Mr. Chambers, vicar of All Saints, who weighed twenty-seven stone, and raised him with one hand. He stabbed himself, after quarrelling with, and wounding his wife, 1749.—Extraordinary strength of body is of little value, if strength of virtue be wanting.
We shall conclude this chapter with a celebrated Painter of Antiquity, named Zeuxis.
This celebrated painter flourished about 400 years B. C. He was born at Heraclea; but as there have been many cities of that name, it cannot be certainly determined which of them had the honour of his birth. Some conjecture, that it was Heraclea, near Crotona, in Italy. He carried painting to a much higher degree of perfection than Apollodorus had left it; discovered the art of properly disposing of lights and shades, and particularly excelled in colouring. He amassed immense riches; and then resolved to sell no more of his pictures, but gave them away; saying, “That he could not set a price on them equal to their value.” Pliny observes, that this admirable painter, disputing for the prize of painting with Parrhasius, painted some grapes so naturally, that the birds flew down to peck them: Parrhasius, on the other hand, painted a curtain so very artfully, that Zeuxis, mistaking it for a real one, that hid his rival’s work, ordered the curtain to be drawn aside, to shew what Parrhasius had done; but having found his mistake, he ingenuously confessed himself vanquished, since he had only imposed upon birds, while Parrhasius had deceived even a master of the art. Another time he painted a boy loaded with grapes; when the birds also flew to this picture,—at which he was vexed, and confessed that his work was not sufficiently finished, since, had he painted the boy as perfectly as the grapes, the birds would have been afraid of him. Archelaus, king of Macedon, made use of Zeuxis’s pencil for the embellishment of his palace. One of this painter’s finest pieces was a Hercules strangling two Serpents in his Cradle, in the presence of his affrighted Mother; but he himself chiefly esteemed his Athleta, or Champion, under which he placed a Greek verse, that afterwards became very famous, and in which he says, “That it was easier to criticize than to imitate the picture.” He made a present of his Alcmena to the Agrigentines. Zeuxis did not value himself on speedily finishing his pictures; but knowing that Agatharcus gloried in his being able to paint with ease and in a little time, he said, “That for his part, he, on the contrary, gloried in his slowness; and if he was long in painting, it was because he painted for eternity.”