"And from there you are going——"
"To India? Yes. In February. Papa wants George to leave the army now, but I don't think he will."
"George is ambitious, you see," I returned, resenting in him that quality which was lacking in myself. "Medals, stars, titles, etc. Perhaps some day they'll make him a baronet—if he do but kill men enough, you know—and then you'll be Lady Willard. Ahem! I salute you Lady Willard, in futuro," I added with a low bow.
"Frank, don't be ridiculous! Mr. Vasari is watching you."
"Never mind Mr. Vasari! who's he! Let him watch. We are doing nothing wrong. Hang the fellow! How he stares! Vasari," I said, repeating the artist's patronymic—"an Italian evidently: and as an artist a dead failure, if I may judge by his own remarks."
"A dead failure?" returned Daphne, resenting the expression. "Well there's one of his pictures in the next room, and you can judge for yourself whether he's a failure or not. He isn't the equal of Doré or Alma Tadema yet, but he may be, for he has genius, and some day it will be recognised."
"Ah, let us hope it will," I replied drily, meaning, of course, the reverse. "Thou shalt have none other gods but me" is the language of every lover to his lady, and Daphne's interest in the artist moved my jealousy a little.
"I am not sure that Germany has improved you," Daphne said, looking at me critically, "but never mind that now. You haven't seen my wedding gifts. They are in the next room. Papa, I am going to show Frank my presents."
And holding her long train with one hand, Daphne rested the other on my arm, and conducted me beneath some heavy hangings to the next apartment. The gifts were arranged in tasteful order on a wide and spacious table.
"You see this picture? It is Mr. Vasari's gift—the work of his own hand. 'The Betrayal of Ariadne' he calls it. Don't you think she bears a resemblance to me?—her eyes and hair are just the colour of mine."