Though the great singers seem to come from Germany in these modern days, Italy has held a distinguished place upon the boards for the last half-century by reason of its great tragic actresses, Adelaide Ristori and Eleonora Duse. Ristori was beginning her career in the fifties when she went to Paris, where the great Rachel was in the very midst of her triumph; and there in the French capital, in the very face of bitter rivalry, she was able to prove her ability and make a name for herself. Later, in the United States she met with a most flattering reception, and for a season played with Edwin Booth in the Shakespearean répertoire. Duse first came into public notice about 1895, when her wonderful emotional power at once caused critics to compare her to Bernhardt, and not always to the advantage of the great French tragédienne. At one period her name became linked most unpleasantly with that of the young Italian realist Gabriele d'Annunzio.
In modern Italian literature two women stand out conspicuously--Matilda Serao and Ada Negri. The Signora Serao, who began life as a journalist, is to-day the foremost woman writer of fiction in Italy, and her novels, which are almost without exception devoted to the delineation of Neapolitan life, are quite graphic and interesting, though her literary taste is not always good and she sometimes lapses into the commonplace and the vulgar. Also, she inclines somewhat toward the melodramatic, and, like many of her brothers in literature, she is far from free from what may best be termed "cheap sentiment." Ada Negri, who started in her career as a modest school teacher in Lombardy, is a lyric poet of no mean ability. She has taken up the cudgel for the poor and the weak and the oppressed, and so thorough and genuine are her appreciation and understanding of the life of the people, that she seems to have touched many hearts. Singing as she does of the hard lot of the poor, and of the many struggles of life, it is appropriate that the two volumes of her verses which have appeared up to this time should bear the titles Fatalità and Tempeste.
Many other women have acquired honored positions in literature, and woman's increased activity and prominence in all intellectual branches is a condition which may well excite wonder. While from many points of view unfortunately backward, the women of Italy are beginning to realize their more serious possibilities, and it is safe to say that the more advanced ideas regarding woman's work and her position in society, which come as the inevitable consequence of modern civilization and education, will soon bear fruit here as in other parts of the continent.
PART SECOND
SPANISH WOMEN
CHAPTER XII
THE CONDITION OF SPAIN BEFORE THE MOORISH INVASION
To one whose fancy roves to Spain in his dream of fair women there comes at once the picture of a dark-eyed beauty gazing out discreetly from behind her lattice window, listening to the tinkling sound of her lover's mandolin, and sighing at the ardor of his passion; or again, she may be going abroad, with lace mantilla about her shapely head, armed with her fan,--that article of comfort and coquetry, as it has been called,--which is at once a shield and an allurement as wielded by her deft fingers. With the thought of Spain there comes also the snap of the castanets and the flash of bright-colored skirts as they move in time to the tarantella. All in all, it is the poet's land of beauty and pleasure, music and the dance, with Dolce far niente as its motto, rose-entwined.
Free from the poet's spell, however, and under the guidance of the sterner muse of history, this picture of sweet content vanishes for a time as the more rugged outlines of another and an earlier age attract our attention. Fact and conjecture are somewhat intermingled as they concern the early history of Spain, but enough is known to give us a fairly clear idea of the general condition of the country. The original inhabitants of the peninsula--the Iberians--antedate authentic historical records, but some centuries before the Christian era it is certain that there was a Celtic invasion from the North which resulted in a mingling of these two races and the appearance of the Celtiberians. The life of these early inhabitants was rude and filled with privations, but they were brave and hardy, having no fear of pain or danger, and possessed by the love of liberty. In this primitive society the occupations of the men were almost exclusively those connected with the pursuit of war, and the wives and mothers were given a large measure of domestic responsibility and were treated with great respect. To them was intrusted not only the education of the younger children, but the care of the land as well, and there is nothing to show that they failed in either of these duties. They were more than good mothers and good husbandmen, however, for more than once, in case of need, these early Spanish women donned armor and fought side by side with their husbands and brothers, sword or lance in hand, nothing daunted by the fierceness of the struggle and always giving a good account of themselves in the thick of the battle.