[170]Brit. Mus., Bibl. Cott., Cleopatra, E. iv., f. 324 b.

[171]“Petition of John Draper.” Amongst the Miscellaneous MSS. of the Treasury of the Exchequer, Record Office.

[172]Archæologia, vol. v. pp. 224-29.

[173]I know nothing equal to this last screen in the delicacy of its carving, seen in bracket, and canopy, and the flights of angels; in the deep feeling especially manifest in the central bracket, with the Saviour’s head crowned with thorns, but surrounded with fruit and flowers, typical of His sufferings and the world’s benefits; and in the grave humour, not out of place, as allegorical of the world’s pursuits, which peeps forth in the figures over the two doorways.

[174]Lord Herbert’s Life and Reyne of King Henry VIII., p. 468. 1649. See, however, Froude: History of England, vol. iv. p. 119, foot-note.

[175]The year, as was generally the case, is not given to this letter, but simply December 2nd. From internal evidence, however, it was certainly written in 1539; for we know that the Priory was surrendered Nov. 28th of that year. Why, then, two years before her death, the commissioners should speak of the “late mother of Raynolde pole” I know not.

[176]Below the north transept, part, perhaps, of Edward the Confessor’s church, is a vault, which, when opened, was stacked with bones, like the carnary crypts at Grantham, in Lincolnshire, and of the beautiful church at Rothwell, in Northamptonshire—the “skull houses,” to which we so often find reference in the old churchwardens’ books.

[177]In the south choir aisle the broken sculptures represent the Epiphany, Assumption, and Coronation of the Virgin. Little can be said in praise of any of the modern monuments. The best are Flaxman’s “Viscountess Fitzharris and her three Children,” and Weekes’s “Death of Shelley.” Some of the others should never have been permitted to be erected, especially those which disfigure the Salisbury chapel. The new stained window at the west end adds very much to the beauty of the church.

[178]For further details the student of architecture should consult Mr. Brayley and Mr. Ferrey’s work, before referred to, of which a new edition is much needed, as also Mr. Ferrey’s paper in the Gentleman’s Magazine for Dec., 1861, p. 607, on the naves of Christchurch and Durham Cathedral, both built by Flambard, and a paper on the rood-screen in the Archæological Journal, vol. v. p. 142; and also a paper read at Winchester, September, 1845, before the Archæological Institute, on Christchurch Priory Church, by Mr. Beresford Hope, and published in the Proceedings of the Society, 1846. An excellent little handbook, by the Rev. Makenzie Walcott, the Honorary Secretary of the Christchurch Archæological Association, may be obtained in the town.

[179]Scott used to admire the Red King; but his praise must have been far more the result of friendship than of unbiassed criticism. The following lines, from Rose’s MS. poem of “Gundimore” (quoted in Lockhart’s Life of Scott, p. 145, foot-note), are interesting from their subject, and at the conclusion, though the idea is borrowed, are really fine:—