The Senate of this little college, which was thus actively encouraging every liberal art, which had in a few years added to the lecture-room of Hutcheson and Smith the laboratory of Black, the workshop of Watt, the press of Foulis, the academy of painting, sculpture, and engraving, and the foundry and observatory of Wilson, entertained in 1761 the idea of doing something for the promotion of athletics among the students, and had under consideration a proposal for the establishment of a new academy of dancing, fencing, and riding in the University. One of the active promoters of this scheme appears again to have been Adam Smith, for it is he who is chosen by the Senate on the 22nd December 1761 to go in their name and explain their design to the Rector, Lord Erroll, and request his assistance. This idea seems, however, to have borne no fruit. Dancing was an exercise they required to be observed with considerable moderation, for they passed a rule in 1752 that no student should be present at balls or assemblies or the like more than thrice in one session, but they treated it with no austere proscription.
One art alone did they seek to proscribe, the art dramatic, and in 1762 the Senate was profoundly disturbed by a project then on foot for the erection of the first permanent theatre in Glasgow. The affair originated with five respectable and wealthy merchants, who were prepared to build the house at their own expense, the leading spirit of the five being Robert Bogle of Shettleston, who had himself, we are told by Dr. Carlyle, played "Sempronius" in a students' performance of Cato within the walls of Glasgow College in 1745. Carlyle played the title rôle, and another divinity student, already mentioned as a college friend of Smith's, Dr. Maclaine of the Hague, played a minor part. But an amateur representation of an unexceptionable play under the eye of the professors was one thing, the erection of a public playhouse, catering like other public playhouses for the too licentious taste of the period, was another, and the project of Mr. Bogle and his friends in 1762 excited equal alarm in the populace of the city, in the Town Council, and in the University. The Council refused to sanction a site for the theatre within the city bounds, so that the promoters were obliged to build it a mile outside; but the anger of the multitude pursued them thither, and on the very eve of its opening in 1764 by a performance in which Mrs. Bellamy was to play the leading part, it was set on fire by a mob, at the instigation of a wild preacher, who said he had on the previous night been present in a vision at an entertainment in hell, and the toast of the evening, proposed in most flattering terms from the chair, was the health of Mr. Millar, the maltster who had sold the site for this new temple of the devil.
During the two years between the projection of this building and its destruction it caused the Senate of the College no common anxiety, and Smith went along with them in all they did. On the 25th of November 1762 he was appointed, with the Principal and two other professors, as a committee, to confer with the magistrates concerning the most proper methods of preventing the establishment of a playhouse in Glasgow, and at the same time to procure all the information in their power concerning the privileges of the University of Oxford with respect to their ability to prevent anything of that kind being established within their bounds, and concerning the manner in which those privileges, if they existed, were made effectual. On the recommendation of this committee the University agreed to memorialise the Lord Advocate on the subject, and to ask the magistrates of the city to join them in sending the memorial. The Lord Advocate having apparently suggested doubts as to the extent of their ancient powers or privileges in the direction contemplated, Smith was appointed, along with the Principal and one or two other professors, as a special committee of inquiry into the ancient privileges and constitution of the University, and the Principal was instructed meanwhile to express to his lordship the earnest desire of the University to prevent the establishment of a playhouse. While this inquiry was proceeding, the magistrates of the city, on their part, had determined, with the concurrence of a large body of the inhabitants, to raise an action at law against the players if they should attempt to act plays in the new theatre, and at a meeting over which Smith presided, and in whose action he concurred, the University agreed to join the magistrates in this prosecution. The agitation against the playhouse was still proceeding when Smith resigned his chair in 1764, but shortly afterwards, finding itself without any legal support, it gradually died away. The part Smith took in this agitation may seem to require a word of explanation, for he not only entertained no objection to theatrical representations, but was so deeply impressed with their beneficial character that in the Wealth of Nations he specially recommends them for positive encouragement by the State, and expressly dissociates himself from those "fanatical promoters of popular frenzies" who make dramatic representations "more than all other diversions the objects of their peculiar abhorrence." The State encouragement he wants is nothing in the nature of the endowment of a national theatre, which is sometimes demanded nowadays. All the encouragement he asks for is liberty—"entire liberty to all those who from their own interest would attempt, without scandal or indecency, to amuse and divert the people by painting, poetry, music, dancing, by all sorts of dramatic representations and exhibitions." But in pressing for this liberty, he expresses the strongest conviction that "the frequency and gaiety of public diversions" is absolutely essential for the good of the commonwealth, in order to "correct whatever is unsocial or disagreeably rigorous in the morals of all the little sects into which the country is divided," and to "dissipate that melancholy and gloomy humour which is almost always the source of popular superstition and enthusiasm."[61] Yet here we seem to find him in alliance with the little sects himself, and trying to crush that liberty of dramatic representations which he declares to be so vital to the health of the community.
The reason is not, moreover, that he had changed his opinions in the interval between the attempts to suppress the Glasgow playhouse in 1762 and the publication of his general plea for playhouses in the Wealth of Nations in 1776. He had not changed his opinions. He travelled with a pupil to France, still warm from this agitation in Glasgow, and, as we learn from Stewart, was a great frequenter and admirer of the theatre in that country,[62] and a few years before the agitation began he was as deeply interested as any other of John Home's friends in the representations of the tragedy of Douglas, and as much a partisan of Home's cause. He does not appear indeed, as is sometimes stated, to have been present either at the public performance of Home's tragedy in Edinburgh in 1756, or at the previous private performance, which is alleged to have taken place at Mrs. Ward the actress's rooms, and in which the author himself, and Hume, Carlyle, Ferguson, and Blair are all said to have acted parts. But that he was in complete sympathy with them on the subject is manifest from an undated letter of Hume to Smith, which must have been written in that year. In this letter, knowing Smith's sentiments, he writes: "I can now give you the satisfaction of hearing that the play, though not near so well acted in Covent Garden as in this place, is likely to be very successful. Its great intrinsic merit breaks through all obstacles. When it shall be printed (which shall be soon) I am persuaded it will be esteemed the best, and by French critics the only tragedy of our language." After finishing his letter he adds: "I have just now received a copy of Douglas from London. It will instantly be put on the press. I hope to be able to send you a copy in the same parcel with the dedication."[63] These sentences certainly imply that Smith's ideas of theatrical representations were in harmony with those of Hume and his other Edinburgh friends, but shortly afterwards he is seeking to revive obsolete academic privileges to prevent the erection of a theatre.
The explanation must be looked for in the line of the conditional clause with which he limits his claim for entire liberty to dramatic entertainments—they must be "without scandal or indecency." There is never any question that if free trade and public morals clash, it is free trade that must give way, and his opposition to the project of the Glasgow playhouse must have originated in his persuasion that it was not attended, as things then went, with sufficient practical safeguards against scandal and indecency. In considering that point due weight must be given not only to the general improprieties permissible on the English stage at that time, but to the fact that locally great offence had quite recently been given in Scotland by the profane or immoral character of some of the pieces presented on the Scottish boards,[64] and that Glasgow itself had had experience of a disorderly theatre already—the old wooden shed where hardy playgoers braved opinion and listened to indifferent performances under the protection of troops, and where, it will be remembered, Boswell, then a student at the College, made the acquaintance of Francis Gentleman, the actor. That house was not a licensed house, but the new house was not to be a licensed house either, and it is quite possible for one who thought a theatre generally, with due safeguards, a public benefit, to think that a particular theatre without those safeguards might constitute a public danger, especially in a university town.
On two delicate questions of professorial duty Smith made a decided stand in behalf of the stricter interpretation. In 1757 Professor John Anderson, the founder of the Andersonian University, who was then Professor of Oriental Languages in Glasgow, became a candidate for the chair which he afterwards filled for so many years with great credit and success—the chair of Natural Philosophy; and, as the appointment lay with the professors, Professor Anderson was one of the electors, and was quite within his legal right in voting for himself. But Smith, impressed with the importance of keeping such appointments free from any leaven of personal interest, tabled a formal protest on three successive occasions against the intervention of that distinguished but headstrong professor in the business of that particular election. He protested first against Anderson voting on a preliminary resolution respecting the election; he protested the second time against him taking part in the election itself; and he protested a third time after the election, desiring it to be recorded expressly "that he did not vote in the election of Mr. Anderson as Professor of Natural Philosophy, not from objection to Mr. Anderson, in whose election he would willingly have concurred, but because he regarded the method of proceeding as irregular and possibly establishing a bad precedent." As patrons of University chairs, the professors were trustees for the community, and ought each to be bound by a tacit self-denying ordinance, at least to the extent of refraining from actively using this public position to serve his private interest. Smith himself, it will be remembered, was one of his own electors to the Moral Philosophy chair, but then that election was uncontested, and Smith was not present at the meeting which appointed him.
The other personal question arose also out of circumstances which have their counterpart in Smith's own history. Professor William Rouet, Professor of Ecclesiastical and Civil History, made an engagement in 1759 to travel abroad as tutor with Lord Hope, the eldest son of Lord Hopetoun; but when Lord Hopetoun wrote requesting leave of absence for Professor Rouet, the Senate by a majority refused to grant the request. Smith was one of that majority, and took an active part in the subsequent transactions arising out of their decision. Rouet persists in going abroad in the teeth of the refusal, and the University by a majority deprive him of office for his negligence of duty. The Crown, however, at first refuse to appoint a successor, on the ground of informality in the act of deprivation, and Lord Bute tells the Rector, Lord Erroll, that "the king's orders" are that the business must be done over again de novo, or "else it may be of the worst consequences to the University." The University take the opinion of eminent counsel, Ferguson of Pitfour and Burnet of Mountbodie (Monboddo), and are prepared to face the consequences threatened, but are eventually saved the trouble by the resignation of Rouet in 1761. Now in these transactions Smith seems to bear a leading part. He was one of the small committee appointed to draw up answers to the protest tabled by the minority of the Senatus; it was to him Lord Erroll communicated the intimation of Lord Bute, though he was not then either Vice-Rector or Dean of Faculty; and it was he and Professor Millar who were sent through to Edinburgh to consult the two advocates.
Smith was probably on the best terms with Rouet himself, who was an intimate friend of David Hume and a cousin of their common friend Baron Mure, and it was not an uncommon practice for the Scotch universities at that period to sanction the absence of a professor on a tutorial engagement. Adam Ferguson left England as tutor to Lord Chesterfield while he was Professor of Moral Philosophy at Edinburgh, and Dalzel resided at Oxford as tutor to Lord Maitland after he was Professor of Greek in the same University. The Senate of Glasgow had itself already permitted Professor John Anderson to remain another winter in France with a son of the Primate of Ireland, when he was chosen Professor of Oriental Languages in 1756, and Smith had concurred in giving the permission. But Anderson's absence was absence to fulfil an already-existing engagement, like the absence granted to Smith himself in the first year of his own appointment, while Rouet's was absence to fulfil a new one; and Smith, as his own subsequent conduct shows, held pluralities and absenteeism of that sort to be a wrong and mischievous subordination of the interest of the University to the purely private interest or convenience of the professors. They had too many temptations to accommodate one another by such arrangements at the expense of the efficiency of the College; and his action both in Rouet's case and his own is entirely in the spirit of his criticism of the English universities in the Wealth of Nations.