Maw and Co’s Tesselated, Mosaic, and Majolica Works.

It was the excellency of the Broseley and Benthall clays, above referred to, which attracted the Messrs. Maw to the spot and led them to remove from Worcester, to where they had been in the habit, first of all, of having them conveyed by barges on the river, to the present site of their works, fashioned out of the old Benthall Iron Works, carried on a century ago by Mr. Harries, then owner of the Benthall estate. Notwithstanding the additions made by them, the trade has so wonderfully developed itself that after building upon or in some way occupying every inch of ground, they are cramped for room, and are on the look out for more commodious premises. In addition to those classical and other adjuncts of architectural comfort and embellishment, embracing encaustic tiles—the reproduction of an art limited in mediæval times to church decoration, but now having a much more extended application, and the manufacture of tesseræ, used in the construction of geometrical mosaic pavements, similar in character to those found in the mediæval buildings of Italy, also moresque mosaics, like those occurring in Roman remains in this country and on the continent, they now manufacture a superior majolica, and faience of great purity, in both of which departments they have recently received first class medals at the Philadelphia exhibition. The accompanying engraving will convey an idea of the adaptation of faience to articles of domestic utility.

Jackfield Pottery and Porcelain.

Older even than the Haybrook Mug House are the Pot Works of Jackfield, which, according to the parish register of Stoke-upon-Trent, quoted by Mr. Jewitt and Mr. Chaffers, supplied a race of potters to that great centre of early pot-making in the year 1560. Excavations made too, soma years ago, brought to light on a spot near which the present works of Craven, Dunnill & Co., now stand, an oven, or kiln, with unbaked ware, which appeared to have been buried by a land-slip; and in an old pit, which it was said had not been opened for two centuries, a brown mug was discovered, which had upon it the date 1634. If Jackfield supplied early potters for Stoke, Stoke sent pot masters to Jackfield. One of these was Mr. Richard Thursfield, an ancestor of Greville T. Thursfield M.D., who took these works and carried them on in 1713. He was succeeded by his son John, of whom we have spoken as afterwards living at Benthall and carrying on works there. The late Richard Thursfield, Esq., had in his possession some good examples of Jackfield ware. Among them was a handsome jug, gilt, having on it, we believe, the name of one of the family.

In 1772, or soon after, Mr. Simpson carried on the works; and he appears to have further improved the manufacture, for in addition to the “black decanters,” as his mugs were called, he made various articles of superior quality, which prior to the breaking out of the war with America found a ready sale there. The old mill turned by the waters of the Severn, where he ground his materials, has just been taken down.

Mr. Blakeway afterwards carried on the works, and was joined by Mr. John Rose, upon leaving Caughley, and, after carrying them on a short time by himself, he removed them, as he did the Caughley Works, to Coalport, on the opposite bank of the river.

The site of the old pottery was on the ground which is now occupied by the Jackfield Encaustic Tile Works, the clays of which are specially adapted for geometrical and encaustic tiles; and such tiles have been made here for a number of years; but since the old works came into the possession of the present firm of Messrs. Craven Dunnill and Co., great changes have taken place. The firm took a lease of about four acres of ground, and adjoining the old works built a large and commodious manufactory, which has been in operation for nearly two years. They have since taken down all the buildings of the old works, and have erected on their site and joining up to the new works, large warehouses, show room, offices, and entrance lodge. The plan of the works is very complete, so as in every way to economise in the process of manufacture, and they are now among the most complete works of the kind.

As shewn in the accompanying engraving, the buildings consist of four blocks, one detached and the others connected, each block accommodating a separate branch of the manufacture.