"It's all right. They are friends," answered Fabela, and opened the door.
It was so dark within that at first we could see nothing. Over the two windows blinds were drawn. On one side was a bed, still unmade, and on the other a small table covered with papers, upon which stood a tray containing the remains of breakfast. A tin bucket full of ice with two or three bottles of wine stood in a corner. As our eyes became accustomed to the light, we saw the gigantic, khaki-clad figure of Don Venustiano Carranza sitting in a big chair. There was something strange in the way he sat there, with his hands on the arms of the chair, as if he had been placed in it and told not to move. He did not seem to be thinking, nor to have been working,—you couldn't imagine him at that table. You got the impression of a vast, inert body—a statue.
He rose to meet us, a towering figure, seven feet tall it seemed. I noticed with a kind of shock that in that dark room he wore smoked glasses; and, although ruddy and full-cheeked, I felt that he was not well,—the thing you feel about tuberculous patients. That tiny, dark room, where the First Chief of the Revolution slept and ate and worked, and from which he hardly ever emerged, seemed too small—like a cell.
Fabela had entered with us. He introduced us one by one to Carranza, who smiled a vacant, expressionless smile, bowed slightly, and shook our hands. We all sat down. Indicating the other reporter, who could not speak Spanish, Fabela said:
"These gentlemen have come to greet you on behalf of the great newspapers which they represent. This gentleman says that he desires to present his respectful wishes for your success."
Carranza bowed again slightly, and rose as Fabela stood up, as if to indicate that the interview was over.
"Allow me to assure the gentlemen," he said, "of my grateful acceptance of their good wishes."
Again we all shook hands; but as I took his hand I said in Spanish:
"Señor Don Venustiano, my paper is your friend and the friend of the Constitutionalists."
He stood there as before, a huge mask of a man. But as I spoke he stopped smiling. His expression remained as vacant as before, but suddenly he began to speak: