Pencil-work is indeed the main operation, the inking being merely to give distinctness and permanency to the lines. The main thing in pencilling is accuracy of dimensions and stopping the lines where they should terminate without crossing others. The best pencils only are suitable for draughting; if the plumbago is not of the best quality, the points require to be continually sharpened, and the pencil is worn away at a rate that more than makes up the difference in cost between the finer and cheaper grades of pencils, to say nothing of the effect upon a drawing.
It is common to use a flat point for draughting pencils, but a round one will often be found quite as good if the pencils are fine, and some convenience is gained by a round point for free-hand use in making rounds and fillets. A Faber pencil, that has detachable points which can be set out as they are worn away, is convenient for draughting.
For compasses, the lead points should be cylindrical, and fit into a metal sheath without paper packing or other contrivance to hold them; and if a draughtsman has instruments not arranged in this manner, he should have them changed at once, both for convenience and economy.
Ink used in drawing should always be the best that can be procured; without good ink a draughtsman is continually annoyed by an imperfect working of pens, and the washing of the lines if there is shading to be done. The quality of ink can only be determined by experiment; the perfume that it contains, or tinfoil wrappers and Chinese labels, are no indication of quality; not even the price, unless it be with some first-class house. To prepare ink, I can recommend no better plan of learning than to ask some one who understands the matter. It is better to waste a little time in preparing it slowly than to be at a continual trouble with pens, which will occur if the ink is ground too rapidly or on a rough surface. To test ink, a few lines can be drawn on the margin of a sheet, noting the shade, how the ink flows from the pen, and whether the lines are sharp; after the lines have dried, cross them with a wet brush; if they wash readily, the ink is too soft; if they resist the water for a time, and then wash tardily, the ink is good. It cannot be expected that inks soluble in water can permanently resist its action after drying; in fact, it is not desirable that drawing inks should do so, for in shading, outlines should be blended into the tints where the latter are deep, and this can only be effected by washing.
Pens will generally fill by capillary attraction; if not, they should be made wet by being dipped into water; they should not be put into the mouth to wet them, as there is danger of poison from some kinds of ink, and the habit is not a neat one.
In using ruling pens, they should be held nearly vertical, leaning just enough to prevent them from catching on the paper. Beginners have a tendency to hold pens at a low angle, and drag them on their side, but this will not produce clean sharp lines, nor allow the lines to be made near enough to the edges of square blades or set squares.
In regard to the use of the T square and set squares, no useful rules can be given except to observe others, and experiment until convenient customs are attained. A beginner should be careful of adopting unusual plans, and above all things, of making important discoveries as to new plans of using instruments, assuming that common practice is all wrong, and that it is left for him to develop the true and proper way of drawing. This is a kind of discovery which is very apt to intrude itself at the beginning of an apprentice's course in many matters besides drawing, and often leads him to do and say many things which he will afterwards wish to recall.
It is generally a safe rule to assume that any custom long and uniformly followed by intelligent people is right; and, in the absence of that experimental knowledge which alone enables one to judge, it is safe to receive such customs, at least for a time, as being correct.
Without any wish to discourage the ambition of an apprentice to invent, which always inspires him to laudable exertion, it is nevertheless best to caution him against innovations. The estimate formed of our abilities is very apt to be inversely as our experience, and old engineers are not nearly so confident in their deductions and plans as beginners are.
A drawing being inked in, the next things are tints, dimension, and centre lines. The centre lines should be in red ink, and pass through all points of the drawing that have an axial centre, or where the work is similar and balanced on each side of the line. This rule is a little obscure, but will be best understood if studied in connection with a drawing, and perhaps as well remembered without further explanation.