Another thing contributed to deepen his unsatisfied longing for sympathy. His father revered the sterner virtues, and sacrificed to them whatever he apprehended might tend to enervate his son's character. In conformity with this theory of training, even the maternal kiss was forbidden. Only once did he remember feeling the soft pressure of his mother's lips on his cheek, though frequently and fervently did he long to feel it again. In after-life, even down to its close, when rejoicing in the sunshine of confiding and playful affection, he would refer with tears in his eyes to the lonely and unfondled years of childhood. For the sake of both, deeply was it to be regretted, that a mother's love of her latest born, one of the strongest of human affections, should be denied its natural expression, repressed as a duty, till it was subdued and its very existence scarcely suspected.

His thirst for knowledge was early and strongly manifested. If his inquiries were neglected or evaded, he would insist on an intelligible reply. Having been once told, not to be so inquisitive, "'Inquisitive' wants to know" was ever after his form of urgent appeal. Characteristic of this disposition was an incident which occurred when he was a child in petticoats. One fine afternoon 'Inquisitive' was seated in a low chair by his mother's side, conning his lesson. He loved not a task from which he gained no idea; the spelling of t-h-e, the, f-o-r, for, was wearisome, and, as an expedient to rid himself of it, he feigned sleep: his father entering the room remarked, "John is asleep: this warm afternoon has made him drowsy." The mother knew the pranks of childhood, and quietly replied, "He is only sleeping dog's sleep." There was a new idea: up started the little head in a moment with the inquiry, "What is dog's sleep, mother?" Even at that early age, when a question suggested itself, he could not rest till he had arrived at a satisfactory answer; often and long would he ponder over some little thing that puzzled him, and on which he could gain no information from others beyond the unsatisfactory reply "Why, so it is."

As he grew up into boyhood surrounded by objects to which tradition had assigned her marvellous stories, they sank silently into his companionless and sensitive spirit. In his immediate vicinity were Haigh Hall, and Mab's Cross, the scenes of Lady Mabel's sufferings and penance—the subject of one of his earliest tales. Almost within sight of the windows through which, with the dreamy gaze of childhood, he first looked on earth and sky, lay the fine range of hills of which Rivington Pike is a spur. Never will be forgotten the pleasure with which, fifty years afterwards, during the last summer of his life, when travelling past that neighbourhood, he pointed out the roof and chimneys of his birthplace, the well-remembered hills as they lay with the beautiful light of the afternoon sun upon them, Hoghton Tower crowning its woody steep, and other spots at once the haunts of early days and the scenes of the legends he afterwards so beautifully re-imbodied.

His various talents were very early called forth. While yet a child he was accustomed, at first occasionally, and then regularly, to take the organ at the Countess of Huntingdon's Chapel, Wigan, during the Sunday service. His ear was exquisitely true, and his voice also excellent; but, used too freely at the period of its change, it never afterwards fully regained its tone.

His first attempt at drawing was made when he was a very little fellow. A lady with whom he was a special favourite—Miss Leigh, sister of the late Sir Robert Holt Leigh—had one day, to his great delight, been showing him some sketches, when, after he had looked at them, she placed the drawing of a cow before him, saying,

"Now cannot you draw that cow?"

"Oh, no! I never did such a thing," was his reply;

"Try," her wise rejoinder.

With some persuasion the volatile child was induced to attempt the task. The pencil was poised—his attention concentrated on the subject—his hand began to follow the eye, and with oft-repeated delight he beheld the form grow rapidly under his touch; so that whether his teacher or himself was the more pleased, it would be difficult to say. This was a precious lesson to him, which he did not forget. It was so firmly rooted, that, in after-life, he never doubted success in anything he thought proper to attempt. Years after, in 1849, when writing to a friend whom he wished to encourage to mental effort, he referred to this time, when the little word "Try" was the "Open Sesame" of the "Arabian Nights" to him.

He cared little for ordinary companions, never so happy as when he could steal away from them, into the company of such of the other sex as were much older than himself, and listen for hours to song and music. He always considered he was more indebted for the formation of his habits and the development of his character and talents, as in the instance above, to woman's discriminating encouragement, than to anything else; and, for weal or for woe, hers was an influence to which he was ever peculiarly sensitive.