With such converse did they beguile their evening walk, ever and anon making the subject bend to the burden of their own sweet ditty of mutual unchanging love!

Grace Ashton was the only daughter of a wealthy yeoman, one of the gentry of that district, residing at Clegg Hall, a mile or two distant. Its dark low gables and quiet smoke might easily be distinguished from where they stood. It was said that the Cleggs, its original owners, had been beggared and dispossessed by vexatious and fraudulent lawsuits; and the Ashtons had achieved their purpose by dishonesty and chicane. However this might be, busy rumour gave currency and credit to the tale, though probably it had none other foundation than the idle and malevolent gossip of the envious and the unthinking.

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"THE THRUTCH," NEAR ROCHDALE.
"Drawn by G. Pickering."
"Engraved by Edwd Finden."

They had toiled up a narrow pathway on the right of a woody ravine, where the stream had evidently formed itself a passage through the loose strata in its course. The brook was heard, though hidden by the tangled underwood, and they stopped to listen. Soothing but melancholy was the sound. Even the birds seemed to chirp there in a sad and pensive twitter, not unnoticed by the lovers, though each kept the gloomy and fanciful apprehensions untold.

Soon they gained the summit of a round heathery knoll, whence an extensive prospect rewarded their ascent. The squat, square tower of Rochdale Church might be seen above the dark trees nestling under its grey walls. The town was almost hidden by a glowing canopy of smoke gleaming in the bright sunset—towards the north the bare bleak hills, undulating in sterile loneliness, and associating only with images of barrenness and desolation. Easterly, a long, level burst of light swept across meadow, wood, and pasture; green slopes dotted with bright homesteads, to the very base apparently of, though at some distance from, Blackstonedge, now of the deepest, the most intense blue. Such a daring contrast of colour gave a force and depth to the landscape, which, had it been portrayed, would, to critical eyes perhaps, have outraged the modesty of Nature.

The sky was already growing cold and grey above the ridge opposed to the burning brightness of the western horizon, and Grace Ashton pointed out the beautiful but fleeting hues of the landscape around them. Her companion, however, was engrossed by another object. Before them was an eminence marking the horizon to the north-west, though not more than a good bowshot from where they stood. Between this and their present standing was a little grassy hollow, through which the brook we have described trickled rather than ran, amidst moss and rushes, rendering the ground swampy and unsafe. On this hill stood "Robin Hood's coit-stones;" and on the largest, called the "marking-stone," a wild-looking and haggard figure was crouched. Her garments, worn and tattered, were of a dingy red; and her cap, or coiffure as it was then called, was of the same colour. Her head was bent forward beyond the knee, as though she were listening towards the ground, or was expecting the approach of the individuals who now came suddenly, and to themselves unexpectedly, in view. Her figure, in the glow of that rich autumnal sky, looked of the deepest crimson, and of a bloody and portentous aspect.

"What strange apparition is yonder," said Gervase Buckley, "on the hill-top there before us? Beshrew me, Grace, but it hath an evil and a rancorous look."