Not bombast, good reader, in any wise; nor a merely soothing melody of charming English, to be mouthed for a ‘second lesson.’
But is it worse than bombast, then? Is it, perchance, pure Lie?
Carpaccio, at all events, thought not; and this, as I have told you, is the first practical opinion of his I want you to be well informed of.
Since that last Fors was written, one of my friends found for me the most beautiful of all the symbols in [[382]]the picture of the Dream;—one of those which leap to the eyes when they are understood, yet which, in the sweet enigma, I had deliberately twice painted, without understanding.
At the head of the princess’s bed is embroidered her shield; (of which elsewhere)—but on a dark blue-green space in the cornice above it is another very little and bright shield, it seemed,—but with no bearing. I painted it, thinking it was meant merely for a minute repetition of the escutcheon below, and that the painter had not taken the trouble to blazon the bearings again. (I might have known Carpaccio never would even omit without meaning.) And I never noticed that it was not in a line above the escutcheon, but exactly above the princess’s head. It gleams with bright silver edges out of the dark-blue ground—the point of the mortal Arrow!
At the time it was painted the sign would necessarily have been recognised in a moment; and it completes the meaning of the vision without any chance of mistake.
And it seems to me, guided by such arrow-point, the purpose of Fors that I should make clear the meaning of what I have myself said on this matter, throughout the six years in which I have been permitted to carry on the writing of these letters, and to preface their series for the seventh year, with the interpretation of this Myth of Venice.
I have told you that all Carpaccio’s sayings are of knowledge, not of opinion. And I mean by knowledge, [[383]]communicable knowledge. Not merely personal, however certain—like Job’s ‘I know that my Redeemer liveth,’ but discovered truth, which can be shown to all men who are willing to receive it. No great truth is allowed by nature to be demonstrable to any person who, foreseeing its consequences, desires to refuse it. He has put himself into the power of the Great Deceiver; and will in every effort be only further deceived, and place more fastened faith in his error.
This, then, is the truth which Carpaccio knows, and would teach:—
That the world is divided into two groups of men; the first, those whose God is their God, and whose glory is their glory, who mind heavenly things; and the second, men whose God is their belly, and whose glory is in their shame,[4] who mind earthly things. That is just as demonstrable a scientific fact as the separation of land from water. There may be any quantity of intermediate mind, in various conditions of bog;—some, wholesome Scotch peat,—some, Pontine marsh,—some, sulphurous slime, like what people call water in English manufacturing towns; but the elements of Croyance and Mescroyance are always chemically separable out of the putrescent mess: by the faith that is in it, what life or good it can still keep, or [[384]]do, is possible; by the miscreance in it, what mischief it can do, or annihilation it can suffer, is appointed for its work and fate. All strong character curdles itself out of the scum into its own place and power, or impotence: and they that sow to the Flesh do of the Flesh reap corruption; and they that sow to the Spirit, do of the Spirit reap Life.