SECTION IV.
OF TRUTH OF EARTH.
Chapter I.—Of General Structure.
| [§ 1.] | First laws of the organization of the earth, and their importance in art. | [270] |
| [§ 2.] | The slight attention ordinarily paid to them. Their careful study by modern artists. | [271] |
| [§ 3.] | General structure of the earth. The hills are its action, the plains its rest. | [271] |
| [§ 4.] | Mountains come out from underneath the plains, and are their support. | [272] |
| [§ 5.] | Structure of the plains themselves. Their perfect level, when deposited by quiet water. | [273] |
| [§ 6.] | Illustrated by Turner's Marengo. | [273] |
| [§ 7.] | General divisions of formation resulting from this arrangement. Plan of investigation. | [274] |
Chapter II.—Of the Central Mountains.
| [§ 1.] | Similar character of the central peaks in all parts of the world. | [275] |
| [§ 2.] | Their arrangements in pyramids or wedges, divided by vertical fissures. | [275] |
| [§ 3.] | Causing groups of rock resembling an artichoke or rose. | [276] |
| [§ 4.] | The faithful statement of these facts by Turner in his Alps at Daybreak. | [276] |
| [§ 5.] | Vignette of the Andes and others. | [277] |
| [§ 6.] | Necessary distance, and consequent aerial effect on all such mountains. | [277] |
| [§ 7.] | Total want of any rendering of their phenomena in ancient art. | [278] |
| [§ 8.] | Character of the representations of Alps in the distances of Claude. | [278] |
| [§ 9.] | Their total want of magnitude and aerial distance. | [279] |
| [§ 10.] | And violation of specific form. | [280] |
| [§ 11.] | Even in his best works. | [280] |
| [§ 12.] | Farther illustration of the distant character of mountain chains. | [281] |
| [§ 13.] | Their excessive appearance of transparency. | [281] |
| [§ 14.] | Illustrated from the works of Turner and Stanfield. The Borromean Islands of the latter. | [282] |
| [§ 15.] | Turner's Arona. | [283] |
| [§ 16.] | Extreme distance of large objects always characterized by very sharp outline. | [283] |
| [§ 17.] | Want of this decision in Claude. | [284] |
| [§ 18.] | The perpetual rendering of it by Turner. | [285] |
| [§ 19.] | Effects of snow, how imperfectly studied. | [285] |
| [§ 20.] | General principles of its forms on the Alps. | [287] |
| [§ 21.] | Average paintings of Switzerland. Its real spirit has scarcely yet been caught. | [289] |