TABLE OF CONTENTS.
PART IV.
OF MANY THINGS.
| PAGE | |||
| Chapter | I.— | [Of the received Opinions touching the "Grand Style"] | 1 |
| " | II.— | [Of Realization] | 16 |
| " | III.— | [Of the Real Nature of Greatness of Style] | 23 |
| " | IV.— | [Of the False Ideal:—First, Religious] | 44 |
| " | V.— | [Of the False Ideal:—Secondly, Profane] | 61 |
| " | VI.— | [Of the True Ideal:—First, Purist] | 70 |
| " | VII.— | [Of the True Ideal:—Secondly, Naturalist] | 77 |
| " | VIII.— | [Of the True Ideal:—Thirdly, Grotesque] | 92 |
| " | IX.— | [Of Finish] | 108 |
| " | X.— | [Of the Use of Pictures] | 124 |
| " | XI.— | [Of the Novelty of Landscape] | 144 |
| " | XII.— | [Of the Pathetic Fallacy] | 152 |
| " | XIII.— | [Of Classical Landscape] | 168 |
| " | XIV.— | [Of Mediæval Landscape:—First, the Fields] | 191 |
| " | XV.— | [Of Mediæval Landscape:—Secondly, the Rocks] | 229 |
| " | XVI.— | [Of Modern Landscape] | 248 |
| " | XVII.— | [The Moral of Landscape] | 280 |
| " | XVIII.— | [Of the Teachers of Turner] | 308 |
APPENDIX. | |||
| I.— | [Claude's Tree-drawing] | 333 | |
| II.— | [German Philosophy] | 336 | |
| III.— | [Plagiarism] | 338 | |
LIST OF PLATES TO VOL. III.
| Drawn by | Engraved by | |||
| [Frontispiece. Lake, Land, and Cloud.] | The Author | J. C. Armytage. | ||
Plate | Facing page | |||
| 1. | [True and False Griffins] | The Author | R. P. Cuff | 106 |
| 2. | [Drawing of Tree-bark] | Various | J. H. Le Keux | 114 |
| 3. | [Strength of old Pine] | The Author | J. H. Le Keux | 116 |
| 4. | [Ramification according to Claude] | Claude | J. H. Le Keux | 117 |
| 5. | [Good and Bad Tree-drawing] | Turner and Constable | J. Cousen | 118 |
| 6. | [Foreground Leafage] | The Author | J. C. Armytage | 121 |
| 7. | [Botany of the Thirteenth Century] | Missal-Painters | Henry Shaw | 203 |
| 8. | [The Growth of Leaves] | The Author | R. P. Cuff | 204 |
| 9. | [Botany of the Fourteenth Century] | Missal-Painters | Cuff; H. Swan | 207 |
| 10. | [Geology of the Middle Ages] | Leonardo, etc. | R. P. Cuff | 238 |
| 11. | [Latest Purism] | Raphael | J. C. Armytage | 313 |
| 12. | [The Shores of Wharfe] | J. W. M. Turner | The Author | 314 |
| 13. | [First Mountain-Naturalism] | Masaccio | J. H. Le Keux | 315 |
| 14. | [The Lombard Apennine] | The Author | Thos. Lupton | 315 |
| 15. | [St. George of the Seaweed] | The Author | Thos. Lupton | 315 |
| 16. | [Early Naturalism] | Titian | J. C. Armytage | 316 |
| 17. | [Advanced Naturalism] | Tintoret | J. C. Armytage | 316 |
PREFACE.
As this preface is nearly all about myself, no one need take the trouble of reading it, unless he happens to be desirous of knowing—what I, at least, am bound to state,—the circumstances which have caused the long delay of the work, as well as the alterations which will be noticed in its form.