§ 10. Now the children of Nereus, like the Hesperides themselves, bear a twofold typical character; one physical, the other moral. In his physical symbolism, Nereus himself is the calm and gentle sea, from which rise, in gradual increase of terror, the clouds and storms. In his moral character, Nereus is the type of the deep, pure, rightly-tempered human mind, from which, in gradual degeneracy, spring the troubling passions.
Keeping this double meaning in view, observe the whole line of descent to the Hesperides’ Dragon. Nereus, by the earth, begets (1) Thaumas (the wonderful), physically, the father of the Rainbow; morally, the type of the enchantments and dangers of imagination. His grandchildren, besides the Rainbow, are the Harpies. 2. Phorcys (Orcus?), physically, the treachery or devouring spirit of the sea; morally, covetousness or malignity of heart. 3. Ceto, physically, the deep places of the sea; morally, secretness of heart, called “fair-cheeked,” because tranquil in outward aspect. 4. Eurybia (wide strength), physically, the flowing, especially the tidal power of the sea (she, by one of the sons of Heaven, becomes the mother of three great Titans, one of whom, Astræus, and the Dawn, are the parents of the four Winds); morally, the healthy passion of the heart. Thus far the children of Nereus.
§ 11. Next, Phorcys and Ceto, in their physical characters (the grasping or devouring of the sea, reaching out over the land and its depth), beget the Clouds and Storms—namely, first, the Graiæ, or soft rain-clouds; then the Gorgons, or storm-clouds; and youngest and last, the Hesperides’ Dragon—Volcanic or earth-storm, associated, in conception, with the Simoom and fiery African winds.
But, in its moral significance, the descent is this. Covetousness, or malignity (Phorcys), and Secretness (Ceto), beget, first, the darkening passions, whose hair is always gray; then the stormy and merciless passions, brazen-winged (the Gorgons), of whom the dominant, Medusa, is ice-cold, turning all who look on her to stone. And, lastly, the consuming (poisonous and volcanic) passions—the “flame-backed dragon,” uniting the powers of poison, and instant destruction. Now, the reader may have heard, perhaps, in other books of Genesis than Hesiod’s, of a dragon being busy about a tree which bore apples, and of crushing the head of that dragon; but seeing how, in the Greek mind, this serpent was descended from the sea, he may, perhaps, be surprised to remember another verse, bearing also on the matter:—“Thou brakest the heads of the dragons in the waters;” and yet more surprised, going on with the Septuagint version, to find where he is being led: “Thou brakest the head of the dragon, and gavest him to be meat to the Ethiopian people. Thou didst tear asunder the strong fountains and the storm-torrents; thou didst dry up the rivers of Etham, πηγὰς καὶ χειμάῤῥους, the Pegasus fountains—Etham on the edge of the wilderness.”
§ 12. Returning then to Hesiod, we find he tells us of the Dragon himself:—“He, in the secret places of the desert land, kept the all-golden apples in his great knots” (coils of rope, or extremities of anything). With which compare Euripides’ report of him:—“And Hercules came to the Hesperian dome, to the singing maidens, plucking the apple fruit from the golden petals; slaying the flame-backed dragon, who twined round and round, kept guard in unapproachable spires” (spirals or whirls, as of a whirlwind-vortex).
Farther, we hear from other scattered syllables of tradition, that this dragon was sleepless, and that he was able to take various tones of human voice.
And we find a later tradition than Hesiod’s calling him a child of Typhon and Echidna. Now Typhon is volcanic storm, generally the evil spirit of tumult.
Echidna (the adder) is a descendant of Medusa. She is a daughter of Chrysaor (the lightning), by Calliröe (the fair flowing), a daughter of Ocean;—that is to say, she joins the intense fatality of the lightning with perfect gentleness. In form she is half-maiden, half-serpent; therefore she is the spirit of all the fatalest evil, veiled in gentleness: or, in one word, treachery;—having dominion over many gentle things;—and chiefly over a kiss, given, indeed, in another garden than that of the Hesperides, yet in relation to keeping of treasure also.
§ 13. Having got this farther clue, let us look who it is whom Dante makes the typical Spirit of Treachery. The eighth or lowest pit of hell is given to its keeping; at the edge of which pit, Virgil casts a rope down for a signal; instantly there rises, as from the sea, “as one returns who hath been down to loose some anchor,” “the fell monster with the deadly sting, who passes mountains, breaks through fenced walls, and firm embattled spears; and with his filth taints all the world.”