Zmutt Glacier, iv. 236.
INDEX TO PAINTERS AND PICTURES
REFERRED TO IN “MODERN PAINTERS.”
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Angelico da Fiesole, angel choirs of, ii. 224; attained the highest beauty, ii. 136; cramped by traditional treatment, ii. 178; decoration of, ii. 219; distances of, iv. 355; finish of, ii. 82, iii. 122; his hatred of fog, iv. 55; influence of hills upon, iv. 355; introduction of portraiture in pictures by, ii. 120, iii. 33; his purity of life, iii. 72; spiritual beauty of, iii. 33; treatment of Passion subjects by, ii. 129; unison of expressional with pictorial power in, iii. 29; contrast between, and Wouvermans, v. [283]; contrast between, and Salvator, v. [283]; Pictures referred to—Annunciation, ii. 174; Crucifixion, i. 82, ii. 220; Infant Christ, ii. 222; Last Judgment, i. 85; Last Judgment and Paradise, ii. 224, iii. 57; Spirits in Prison at the Feet of Christ, fresco in St. Mark’s, ii. 56 (note); St. Dominic of Fiesole, ii. 56; Vita di Christo, ii. 219.
Art-Union, Christian Vanquishing Apollyon (ideal stones), iv. 307.
Bandinelli, Cacus, ii. 184; Hercules, ii. 184.
Bartolomeo, introduction of portraiture by, ii. 120.