Rubens and Cuyp, v. [249]-260; color of, i. 169; landscape of, i. 91, 220, iii. 182, 318; leaf drawing of, v. [35]; flowers of, v. [90]; realistic temper of, iii. 97; symbolism of, iii. 96; treatment of light, ii. 41, i. 165; want of feeling for grace and mystery, iv. 14; characteristics of, v. [251]; religion of, v. [252]; delight in martyrdoms, v. [251]; painting of dogs and horses by, v. [257], [258]; descriptions of his own pictures by, v. [252]; imitation of sunlight by, v. [315] (note); hunts by, v. [258]. Pictures referred to— Adoration of the Magi, i. 37; Battle of the Amazons, v. [251]; Landscape, No. 175, Dulwich Gallery, iv. 15; His Family, v. [252]; Waggoner, iii. 114; Landscapes in Pitti Palace, i. 91; Sunset behind a Tournament, iii. 318.
Ruysdael. Pictures referred to— Running and Falling Water, i. 325, 344; Sea-piece, i. 344.
Schöngauer, Martin, joy in ugliness, iv. 329; missal drawing of, iv. 329.
Snyders, painting of dogs by, v. [257].
Spagnoletto, vicious execution of, ii. 83.
Stanfield, Clarkson, architectural drawing of, i. 121; boats of, i. 122; chiaroscuro of, i. 281; clouds of, i. 224, 243; a realistic painter, i. 121, iv. 57 (note); knowledge and power of, i. 353. Pictures referred to— Amalfi, ii. 228; Borromean Islands, with St. Gothard in the distance, i. 282; Botallack Mine (coast scenery), i. 313; Brittany, near Dol, iv. 7; Castle of Ischia, i. 122; Doge’s Palace at Venice, i. 122; East Cliff, Hastings, i. 313; Magra, ii. 228; Rocks of Suli, i. 307; Wreck on the Coast of Holland, i. 121.
Taylor, Frederick, drawings of, power of swift execution, i. 35, 257.
Teniers, scenery of, v. [253]; painter of low subjects, v. [256]. Pictures referred to—Landscape, No. 139, Dulwich Gallery, i. 315.
Tintoret, coloring of, iii. 42; delicacy of, iii. 38; painting of vital truth from the vital present, iii. 90; use of concentrically-grouped leaves by, ii. 73; imagination, ii. 158, 159, 173, 180; inadequacy of landscapes by, i. 78; influence of hills upon, iv. 358; intensity of imagination of, ii. 173, iv. 66; introduction of portraiture in pictures, ii. 120; luminous sky of, ii. 44; modesty of, ii. 123; neglectful of flower-beauty, v. [90]; mystery about the pencilling of, ii. 64; no sympathy with the humor of the world, iv. 13; painter of space, i. 87; realistic temper of, iii. 97; sacrifice of form to color by, ii. 201; slightness and earnest haste of, ii. 82 (note), 187 (note); symbolism of, iii. 96. Pictures referred to— Agony in the Garden, ii. 159; Adoration of the Magi, iii. 78, 122, iv. 66; Annunciation, ii. 174; Baptism, ii. 176; Cain and Abel, i. 399(note); Crucifixion, ii. 178, 183, iii. 72, v. [197], [221]; Doge Loredano before the Madonna, ii. 204; Entombment, ii. 174, iii. 316; Fall of Adam, i. 80 (note); Flight into Egypt, ii. 159, 202; Golden Calf, ii. 207; Last Judgment, ii. 181; picture in Church of Madonna dell’ Orto, i. 109; Massacre of the Innocents, ii. 130, 179, 183; Murder of Abel, i. 391; Paradise, i. 338, iv. 66, v. [221], [229]; Plague of Fiery Serpents, ii. 183; St. Francis, ii. 207; Temptation, ii. 159, 189.
Titian, tone of, i. 148; tree drawing of, i. 392; want of foreshortening, v. [71]; bough drawing of, i. 392; good leaf drawing, v. [35]; distant branches of, v. [38]; drawing of crests by, iv. 218; color in the shadows of, iv. 47; mind of, v. [226], [227]; imagination of, ii. 159; master of heroic landscape, v. [194]; landscape of, i. 78, iii. 316; influence of hills upon, iv. 358; introduction of portraiture in pictures, ii. 120; home of, v. [287], [288]; modesty of, ii. 123; mystery about the pencilling of, iv. 62; partial want of sense of beauty, ii. 136; prefers jewels and fans to flowers, v. [90]; right conception of the human form, ii. 123, v. [228]; sacrifice of form to color by, ii. 202; color of, v. [317], [318]; stones of, iv. 304, 305; trees of, i. 392, ii. 73. Pictures referred to— Assumption, iv. 202 (note), v. [221], [229], [251], [312]; Bacchus and Ariadne, i. 83, 148, iii. 122, v. [89]; Death of Abel, i. 80 (note); Entombment, iii. 122; Europa (Dulwich Gallery), i. 148; Faith, i. 109; Holy Family, v. [133] (note); Madonna and Child, v. [170]; Madonna with St. Peter and St. George, v. [170]; Flagellation, ii. 44; Magdalen (Pitti Palace), ii. 125, v. [226], [338] (note); Marriage of St. Catherine, i. 91; Portrait of Lavinia, v. [90], preface, viii.; Older Lavinia, preface, viii.; St. Francis receiving the Stigmata, i. 214 (note); St. Jerome, i. 86, ii. 159; St. John, ii. 120; San Pietro Martire, ii. 159, 207; Supper at Emmaus, iii. 19, 122; Venus, iii. 63; Notomie, v. [338].