Yorkshire Series:— Aske Hall, i. 394, v. [70]; Brignall Church, i. 394; Hardraw Fall, iv. 309; Ingleborough, iv. 249; Greta, iv. 14, 248; Junction of the Greta and Tees, i. 322, 372, iv. 309; Kirkby Lonsdale, i. 267, 394, iv. 14, 313; Richmond, i. 261, iv. 14, v. [38]; Richmond Castle, iii. 230; Tees (Upper Fall of), i. 319, 323, 367, iv. 309; Zurich, i. 367.
Uccello, Paul, Battle of Sant’ Egidio, National Gallery, v. [5], [281].
Uwin’s Vineyard Scene in the South of France, ii. 229.
Vandevelde, reflection of, i. 359; waves of, iii. 324; Vessels Becalmed, No. 113, Dulwich Gallery, i. 340.
Vandyke, flowers of, v. [90]; delicacy of, v. [275] (note). Pictures— Portrait of King Charles’ Children, v. [90]; the Knight, v. [273] (note).
Veronese, Paul, chiaroscuro of, iii. 35, iv. 41, 47; color in the shadows of, iv. 47; delicacy of, iii. 38; influence of hills upon, iv. 350; love of physical beauty, iii. 33; mystery about the pencilling of, iv. 61; no sympathy with the tragedy and horror of the world, iv. 14; sincerity of manner, iii. 41; symbolism of, iii. 96; treatment of the open sky, ii. 44; tree drawing of, v. [67]; foreground of, v. [90]; religion of, (love casting out fear), v. [222]; animal painting, compared with Landseer’s, ii. 202; Pictures— Entombment, ii. 44; Magdalen washing the feet of Christ, iii. 19, 30; Marriage in Cana, iii. 122, iv. 66, v. [196], [220], [221]; two fresco figures at Venice, i. 110; Supper at Emmaus, iii. 30, 60; Queen of Sheba, v. preface, vii. 224; Family of Veronese, v. [222], [224]; Holy Family v. [225]; Veronica, v. [226]; Europa, v. [90], [170]; Triumph of Venice, v. [170]; Family of Darius, National Gallery, v. [189].
Vinci, Leonardo da, chiaroscuro of, iv. 47 (and note); completion of detail by, iii. 122; drapery of, iv. 48; finish of, ii. 84, iii. 261; hatred of fog, iv. 56; introduction of portraiture in pictures, ii. 120; influence of hills upon, iv. 356; landscape of, i. 88; love of beauty, iii. 41; rocks of, iii. 239; system of contrast of masses, iv. 42. Pictures— Angel, ii. 176; Cenacolo, ii. 215; Holy Family (Louvre), i. 88; Last Supper, iii. 26, 341; St. Anne, iv. 302, iii. 122.
Wallis, snow scenes of, i. 286 (note).
Wouvermans, leaves of, v. [33]; landscape of, v. [195]; vulgarity of, v. [278], [281]; contrast between, and Angelico, v. [283]. Pictures referred to— Landscape, with hunting party, v. [278]; Battle piece, with bridge, v. [280].
Zeuxis, picture of Centaur, v. [258].