Carlyle, iii. 253; on clouds, v. [107].
Cattle, painting of, v. [259], [260].
Change, influence of, on our senses, ii. 54; love of, an imperfection of our nature, ii. 54, 55.
Charity, the perfection of the theoretic faculty, ii. 90; exercise of, its influence on human features, ii. 115.
Chasteness, meaning of the term, ii. 81.
Chiaroscuro, truth of, i. 173-184; contrasts of systems of, iv. 41; great principles of, i. 173, 180; necessity of, in high art, i. 181; necessity of, in expressing form, i. 69, 70; nature’s contrasted with man’s, i. 141; natural value of, i. 182; rank of deceptive effects in, i. 73; fatal effects of, on art, iii. 140 (note); treatment of, by Venetian colorists, iv. 45, 46.
Chiaroscurists, advantages of, over colorists, iv. 48.
Choice, spirit of, dangerous, ii. 26, iv. 18 (note); of love, in rightly tempered men, ii. 137; importance of sincerity of, iii. 27, 35; effect of, on painters, iii. 28; of subject, when sincere, a criterion of the rank of painters, iii. 27; difference of, between great and inferior artists, iii. 35; of subject, painters should paint what they love, ii. 219; error of Pre-Raphaelites, iv. 19.
City and country life, influence of, v. [4], [5].
Classical landscape, iii. 168, 190; its features described, v. [242]; spirit, its resolute degradation of the lower orders, v. [243] (note).