Faculty Æsthetic, definition of, ii. 12, 18.
Faith, derivation of the word, v. [161]; developed by love of nature, iii. 299; want of, iii. 252-254; our ideas of Greek, iii. 169; of the Scotch farmer, iii. 189; source and substance of all human deed, v. [161]; want of, in classical art, v. [242]; right, looks to present work, v. [205]; brave and hopeful, accompanies intellectual power, v. [205]; tranquillity of, before the Reformation, v. [230]; want of, in Dutch artists, v. [251]; of Venetians, v. [218]; how shown in early Christian art, iii. 49-51, v. [205]; in God, in nature, nearly extinct, iii. 251.
Fallacy, Pathetic defined, iii. 155; not admitted by greatest poets, iii. 156; Pope’s, iii. 158; emotional temperament liable to, iii. 158; instances illustrating the, iii. 160, 167; characteristic of modern painting, iii. 168.
Fancy, functions of, ii. 150; never serious, ii. 169; distinction between imagination and, ii. 166-170; restlessness of, ii. 170; morbid or nervous, ii. 200.
Fear, destructive of ideal character, ii. 126; distinguished from awe, ii. 126; expressions of, only sought by impious painters, ii. 128; holy, distinct from human terror, ii. 127.
Ferocity, always joined with fear, ii. 127; destructive of ideal character, ii. 126.
Field Sports, v. [259].
Fields. See Grass.
Finish, two kinds of—fallacious and faithful, iii. 109; difference between English and continental, iii. 109, 111; human often destroys nature’s, iii. 112; nature’s, of rock, iii. 112; of outline, iii. 114; vain, useless conveying additional facts, iii. 116, 123, v. [271], [272] (note); in landscape foregrounds, i. 200; mysteriousness of, i. 193; esteemed essential by great masters, ii. 83, v. [271], [272] (note); infinite in God’s work, ii. 82; how right and how wrong, i. 82-84, iii. 114; of tree stems, iii. 115 (plate).
Firmament, definition of, iv. 83, v. [148].