Leaf, Leaves, how treated by mediæval ornamental artists, iii. 204; of American plane, iii. 205; of Alisma plantago, iii. 205; of horse-chestnut, iii. 205; growth of, iv. 193, v. [31]; laws of Deflection, Radiation, and Succession, v. [25], [26]; ribs of, law of subordination in, iii. 206, v. [24]; lessons from, v. [32], [74], [75]; of the pine, v. [78]; of earth-plants, shapes of, v. [92]-95; life of, v. [31], [32], [40], [41], [63]; structure of, 21-25; variety and symmetry of, i. 394, ii. 72, 92; drawing of, by Venetians, iii. 316; drawing of, by Dutch and by Durer, v. [37], [90]; curvature in, iv. 271-273; mystery in, i. 191, 396; strength and hope received from, ii. 140.
Leaflets, v. [33].
Liberty, self-restrained, ii. 84; love of, in modern landscapes, iii. 250; Scott’s love of, iii. 271; religious, of Venetians, v. [215]; individual helplessness (J. S. Mill), v. [174].
Lichens. See Moss.
Life, intensity of, proportionate to intensity of helpfulness, v. [155]; connection of color with, iv. 53, 123, v. [322]; man’s, see Man, Mediæval.
Light, power, gradation, and preciousness of, iv. 34, 37, 53, 69, 71-73; mediæval love of, iii. 200; value of, on what dependent, ii. 48; how affected by color, i. 68, 70; influence of, in architecture, i. 106; table of gradation of different painters, iv. 42; law of evanescence (Turner), iv. 70; expression of, by color, i. 98, 171; with reference to tone, i. 147, 149; a characteristic of the thirteenth century, iv. 49; love of, ii. 75, 76, iii. 244; a type of God, ii. 78; purity of, i. 147, ii. 75; how related to shadows, i. 140, 173; hues of, i. 149, 157, 161; high, how obtained, i. 173, 182, ii. 48; high, use of gold in, i. 106; white of idealists to be distinguished from golden of Titian’s school, ii. 221; Dutch, love of, v. [254], [278]; effects of, as given by Turner, iv, 71.
Limestone, of what composed, i. 309; color of, iii. 231-233; tables, iv. 127-129.
Lines of fall, iv. 276; of projection, iv. 279; of escape, iv. 279; of rest, iv. 309; nature of governing, iv. 187; in faces, ii. 114; undulating, expressive of action, horizontal, of rest and strength, v. [164]; horizontal and angular, v. [164]; grandeur of, consists in simplicity with variation, iv. 247; curved, iv. 263; apparent proportion in, ii. 61; all doubtful, rejected in armorial bearings, iii. 200.
Literature, greatest not produced by religious temper, v. [205]; classical, the school of taste or restraint, v. [242]; spasmodic, v. [242]; world of, divided into thinkers and seers, iii. 262; modern temper of, iii. 252, 261-263; reputation of, on what dependent (error transitory) i. 1, 2.
Locke, quoted (hard to see well), i. 51, 67.