Perspective, aërial, iii. 248; aërial, and tone, difference between, i. 141; despised in thirteenth century art, iii. 18; of clouds, v. [114], [118]; of Turner’s diagrams, v. [341] (note).
Pharisaism, artistic, iii. 60.
Photographs give Turnerian form, and Rembrandtesque chiaroscuro, iv. 63.
Pictures, use of, to give a precious, non-deceptive resemblance of Nature, iii. 126-140; noblest, characteristic of, iii. 141; value of estimate by their completeness, i. 11, 421; Venetian, choice of religious subjects in, v. [221]; Dutch, description of, v. [277], advantages of unreality in, iii. 139, 140; as treated by uninventive artists, iii. 20; finish of, iii. 113; of Venice at early morn, i. 343; of mountaineer life, iv. 320-322. See Realization, Finish.
Picturesque, nobleness of, dependent on sympathy, iv. 13; Turnerian, iv. 1-15; dependent on absence of trimness, iv. 5; and on actual variety of form and color, iv. 6; lower, heartless delight in decay, iv. 11; treatment of stones, iv. 302; Calais spire an instance of noble, iv. 7.
Plagiarism, greatest men oftenest borrowers, iii. 339.
Plains, structure of, i. 272; scenery of compared with mountains, iv. 344, 345; spirit of repose in, i. 271; effect of distance on, i. 273. See Lowlander.
Plants, ideal of, ii. 105-107; sense of beauty in, ii. 92, 99; typical of virtues, iii. 227; influence of constructive proportion on, ii. 63; sympathy with, ii. 91; uses of, v. [2], [3]; “tented” and “building,” earth-plants and pillar-plants, v. [8]; law of succession in, v. [26]; seed of, v. [96]; roots of, v. [41]; life of, law of help, v. [155]; strawberry, v. [96]; Sisymbrium Irio, v. [95]; Oxalis acetosella, i. 82 (note); Soldanella and ranunculus, ii. 89, 108; black hollyhock, v. [234].
Pleasure of overcoming difficulties, i. 16; sources of, in execution, i. 36; in landscape and architecture, iv. 345. See Pictures.