Shadow, cast, importance of, i. 331-333; strangeness of cast, iv. 77; importance of, in bright light, i. 174-175; variety of, in nature, i. 168; none on clear water, i. 331; on water, falls clear and dark, in proportion to the quantity of surface-matter, i. 332; as given by various masters, iv. 47; of colorists right, of chiaroscurists untrue, iv. 49; exaggeration of, in photography, iv. 63; rejection of, by mediævals, iii. 200.
Shakspere, creative order of poets, iii. 156 (note); his entire sympathy with all creatures, iv. 362-363; tragedy of, compared with Greek, v. [210]; universality of, iii. 90, 91; painted human nature of the sixteenth century, iii. 90, iv. 367; repose of, ii. 68; his religion occult behind his equity, v. [226]; complete portraiture in, iii. 78, 91, iv. 364; penetrative imagination of, ii. 165; love of pine trees, iv. 371, v. [82]; no reverence for mountains, iv. 363, 370; corrupted by the Renaissance, iv. 367; power of, shown by his self-annihilation, i. xxv. (preface).
Shelley, contemplative imagination a characteristic of, ii. 199; death without hope, v. [349].
Sight, greater than thought, iii. 282; better than scientific knowledge, i. 54; impressions of, dependent on mental observations, i. 50, 53; elevated pleasure of, duty of cultivating, ii. 26; of the whole truth, v. [206]; partial, of Dutch painters, v. [278]; not valued in the present age, ii. 4; keenness of, how to be tested, ii. 37; importance of, in education, iv. 401, v. [330].
Simplicity, second quality of execution, i. 36; of great men, iii. 87.
Sin, Greek view of, v. [210]; Venetian view of, v. [217]; “missing the mark,” v. [339]; washing away of (the fountain of love), v. [321].
Sincerity, a characteristic of great style, iii. 35.
Singing, should be taught to everybody, v. [329] (note), 330.
Size. See Magnitude.
Sketches, experimental, v. [181]; determinant, v. [182]; commemorative, v. [182].