Modern Painters, Volume 5 (of 5)

by John Ruskin

TABLE OF CONTENTS.

—————
PART VI.
ON LEAF BEAUTY.
—————
			PAGE
	Preface		v
Chapter	I.	—The Earth-Veil	[1]
”	II.	—The Leaf Orders	[6]
”	III.	—The Bud	[10]
”	IV.	—The Leaf	[21]
”	V.	—Leaf Aspects	[34]
”	VI.	—The Branch	[39]
”	VII.	—The Stem	[49]
”	VIII.	—The Leaf Monuments	[63]
”	IX.	—The Leaf Shadows	[77]
”	X.	—Leaves Motionless	[88]
—————
PART VII.
OF CLOUD BEAUTY.
—————
Chapter	I.	—The Cloud Balancings	[101]
”	II.	—The Cloud-Flocks	[108]
”	III.	—The Cloud-Chariots	[122]
”	IV.	—The Angel of the Sea	[133]
—————
PART VIII.
OF IDEAS OF RELATION:—I. OF INVENTION FORMAL.
—————
Chapter	I.	—The Law of Help	[153]
”	II.	—The Task of the Least	[164]
”	III.	—The Rule of the Greatest	[175]
”	IV.	—The Law of Perfectness	[180]
—————
PART IX.
OF IDEAS OF RELATION:—II. OF INVENTION SPIRITUAL.
—————
Chapter	I.	—The Dark Mirror	[193]
”	II.	—The Lance of Pallas	[202]
”	III.	—The Wings of the Lion	[214]
”	IV.	—Durer and Salvator	[230]
”	V.	—Claude and Poussin	[241]
”	VI.	—Rubens and Cuyp	[249]
”	VII.	—Of Vulgarity	[261]
”	VIII.	—Wouvermans and Angelico	[277]
”	IX.	—The Two Boyhoods	[286]
”	X.	—The Nereid’s Guard	[298]
”	XI.	—The Hesperid Æglé	[314]
”	XII.	—Peace	[339]
—————
	Local Index.
	Index to Painters and Pictures.
	Topical Index.

LIST OF PLATES TO VOL. V.

—————

	Drawn by	Engraved by
Frontispiece, Ancilla Domini	Fra Angelico	Wm. Hall
Plate		Facing page
51. The Dryad’s Toil	J. Ruskin	J. C. Armytage	[12]
52. Spirals of Thorn	R. Allen	R. P. Cuff	[26]
53. The Dryad’s Crown	J. Ruskin	J. C. Armytage	[36]
54. Dutch Leafage	Cuyp and Hobbima	J. Cousen	[37]
55. By the Way-side	J. M. W. Turner	J. C. Armytage	[38]
56. Sketch by a Clerk of the Works	J. Ruskin	J. Emslie	[61]
57. Leafage by Durer and Veronese	Durer and Veronese	R. P. Cuff	[65]
58. Branch Curvature	R. Allen	R. P. Cuff	[69]
59. The Dryad’s Waywardness	J. Ruskin	R. P. Cuff	[71]
60. The Rending of Leaves	J. Ruskin	J. Cousen	[94]
61. Richmond, from the Moors	J. M. W. Turner	J. C. Armytage	[98]
62. By the Brookside	J. M. W. Turner	J. C. Armytage	[98]
63. The Cloud Flocks	J. Ruskin	J. C. Armytage	[109]
64. Cloud Perspective (Rectilinear)	J. Ruskin	J. Emslie	[115]
65. Cloud Perspective (Curvilinear)	J. Ruskin	J. Emslie	[116]
66. Light in the West, Beauvais	J. Ruskin	J. C. Armytage	[121]
67. Clouds	J. M. W. Turner	J. C. Armytage	[118]
68. Monte Rosa	J. Ruskin	J. C. Armytage	[339]
69. Aiguilles and their Friends	J. Ruskin	J. C. Armytage	[125]
70. The Graiæ	J. Ruskin	J. C. Armytage	[127]
71. “Venga Medusa”	J. Ruskin	J. C. Armytage	[127]
72. The Locks of Typhon	J. M. W. Turner	J. C. Armytage	[142]
73. Loire Side	J. M. W. Turner	J. Ruskin	[165]
74. The Mill Stream	J. M. W. Turner	J. Ruskin	[168]
75. The Castle of Lauffen	J. M. W. Turner	R. P. Cuff	[169]
76. The Moat of Nuremberg	J. Ruskin	J. H. Le Keux	[233]
78. Quivi Trovammo	J. M. W. Turner	J. Ruskin	[298]
79. Hesperid Æglé	Giorgione	Wm. Hall	[314]
80. Rocks at Rest	J. Ruskin, from J. M. W. Turner	J. C. Armytage	[319]
81. Rocks in Unrest	J. Ruskin, from J. M. W. Turner	J. C. Armytage	[320]
82. The Nets in the Rapids	J. M. W. Turner	J. H. Le Keux	[336]
83. The Bridge of Rheinfelden	J. Ruskin	J. H. Le Keux	[337]
84. Peace	J. Ruskin	J. H. Le Keux	[338]

SEPARATE ENGRAVINGS ON WOOD.

Figure	56,	to face page	[65]
”	61,	”	[69]
”	75 to 78,	”	[97]
”	85,	”	[118]
”	87,	”	[127]
”	88 to 90,	”	[128]
”	98,	”	[184]
”	100,	”	[284]

Ancilla Domini.