[46] The third edition was published in 1846, while the Pre-Raphaelite School was still in swaddling clothes.

[47] These essays were, "Recent Attacks on Political Economy," by Robert Lowe, and "Virchow and Evolution," by Prof. Tyndall,—Ed.

[48] James of Quercia: see the rank assigned to this master in Ariadne Florentina. The best photographs of the monument are, I believe, those published by the Arundel Society; of whom I would very earnestly request that if ever they quote Modern Painters, they would not interpolate its text with unmarked parentheses of modern information such as "emblem of conjugal fidelity." I must not be made to answer for either the rhythm or the contents of sentences thus manipulated.

[49] I foolishly, in Modern Painters, used the generic word "hound" to make my sentence prettier. He is a flat-nosed bulldog.

[50] It would be utterly vain to attempt any general account of the works of this painter, unless I were able also to give abstract of the subtlest mythologies of Greek worship and Christian romance. Besides, many of his best designs are pale pencil drawings like Florentine engravings, of which the delicacy is literally invisible, and the manner irksome, to a public trained among the black scrabblings of modern wood-cutter's and etcher's prints. I will only say that the single series of these pencil-drawings, from the story of Psyche, which I have been able to place in the schools of Oxford, together with the two colored beginnings from the stories of Jason and Alcestis, are, in my estimate, quite the most precious gift, not excepting even the Loire series of Turners, in the ratified acceptance of which my University has honored with some fixed memorial the aims of her first Art-Teacher.

[51] Lectures on Art, §§ 95-6.—Ed.

[52] pamphlet, the full title of which was "The Opening of the Crystal Palace Considered in some of its Relations to the Progress of Art," by John Ruskin, M.A. London: Smith, Elder, & Co., 1854.—Ed.

[53] But see now Aratra Pentelici, § 53.—Ed.

[54] See the Times of Monday, June 12th.

[55] M. l'Abbé Bulteau, Description de la Cathédral de Chartres (8vo, Paris, Sagnier et Bray, 1850), p. 98, note.