(45.) Hawthorn Leaves, from the base of Pilaster, in the Church of St. Maria dé Miracoli, Venice. (R.)
In the finest style of floral sculpture. It cannot be surpassed for perfectness of treatment; especially for the obtaining of life and softness, by broad surfaces and fine grouping.
(46.) Basrelief from one of the Inner Doors of the Ducal Palace.
Very noble, and typical of the pure style.
(47.) St. John Baptist and other Saints. (Cima da Conegliano.)
Consummate work; but the photograph, though well taken, darkens it terribly.
(48.) Meeting of Joachim and Anna. (Vettor Carpaccio.) (Photograph.)
(49.) Madonna and Saints. (John Bellini.) Portrait. (Mantegna.)
(Photographs.)
(50.) Madonna. (John Bellini.)