CONTENTS.
THE CROWN OF WILD OLIVE.
PAGE
LECTURE I.
Work, [17]
LECTURE II.
Traffic, [44]
LECTURE III.
War, [66]
MUNERA PULVERIS.
Preface, [97]
CHAP.
I. Definitions, [111]
II. Store-Keeping, [125]
III. Coin-Keeping, [151]
IV. Commerce, [170]
V. Government, [181]
VI. Mastership, [204]
Appendices, [222]
PRE-RAPHAELITISM.
Preface, [235]
Pre-Raphaelitism, [237]
ARATRA PENTELICI.
Preface, [283]
LECTURE
I. Of the Division of Arts, [287]
II. Idolatry, [304]
III. Imagination, [322]
IV. Likeness, [350]
V. Structure, [372]
VI. The School of Athens, [395]
The Future of England, [415]
Notes on Political Economy of Prussia, [435]
LIST OF ILLUSTRATIONS.
ARATRA PENTELICI.
PLATES FACING PAGE
I. Porch of San Zenone. Verona, [300]
II. The Arethusa of Syracuse, [302]
III. The Warning to the Kings, [302]
IV. The Nativity of Athena, [308]
V. Tomb of the Doges Jacopo and Lorenzo Tiepolo, [333]
VI. Archaic Athena of Athens and Corinth, [334]
VII. Archaic, Central and Declining Art of Greece, [355]
VIII. The Apollo of Syracuse and the Self-made Man, [366]
IX. Apollo Chrysocomes of Clazomenæ, [368]
X. Marble Masonry in the Duomo of Verona, [381]
XI. The First Elements of Sculpture, [382]
XII. Branch of Phillyrea. Dark Purple, [390]
XIII. Greek Flat Relief and Sculpture by Edged Incision, [392]
XIV. Apollo and the Python. Heracles and the Nemean Lion, 400
XV. Hera of Argos. Zeus of Syracuse, [401]
XVI. Demeter of Messene. Hera of Crossus, [402]
XVII. Athena of Thurium. Sereie Ligeia of Terina, [402]
XVIII. Artemis of Syracuse. Hera of Lacinian Cape, [404]
XIX. Zeus of Messene. Ajax of Opus, [405]
XX. Greek and Barbarian Sculpture, [407]
XXI. The Beginnings of Chivalry, [409]
FIGURE PAGE
1. Specimen of Plate, [293]
2. Woodcut, [323]
3. Figure on Greek Type of Vases, [326]
4. Early Drawing of the Myth, [330]
5. Cut, "Give It To Me," [332]
6. Engraving on Coin, [335]
7. Drawing of Fish. By Turner, [362]
8. Iron Bar, [379]
9. Diagram of Leaf, [391]