The Stones of Venice, Volume 2 (of 3),

by John Ruskin

C, Gothic: Architecture of the Gable.

Fig. XI.

The three names, Greek, Romanesque, and Gothic, are indeed inaccurate when used in this vast sense, because they imply national limitations; but the three architectures may nevertheless not unfitly receive their names from those nations by whom they were carried to the highest perfections. We may thus briefly state their existing varieties.

§ LXXXIX. A. GREEK: Lintel Architecture. The worst of the three; and, considered with reference to stone construction, always in some measure barbarous. Its simplest type is Stonehenge; its most refined, the Parthenon; its noblest, the Temple of Karnak.

In the hands of the Egyptian, it is sublime; in those of the Greek, pure; in those of the Roman, rich; and in those of the Renaissance builder, effeminate.

B. Romanesque: Round-arch Architecture. Never thoroughly developed until Christian times. It falls into two great branches, Eastern and Western, or Byzantine and Lombardic; changing respectively in process of time, with certain helps from each other, into Arabian Gothic and Teutonic Gothic. Its most perfect Lombardic type is the Duomo of Pisa; its most perfect Byzantine type (I believe), St. Mark’s at Venice. Its highest glory is, that it has no corruption. It perishes in giving birth to another architecture as noble as itself.

C. Gothic: Architecture of the Gable. The daughter of the Romanesque; and, like the Romanesque, divided into two great branches, Western and Eastern, or pure Gothic and Arabian Gothic; of which the latter is called Gothic, only because it has many Gothic forms, pointed arches, vaults, &c., but its spirit remains Byzantine, more especially in the form of the roof-mask, of which, with respect to these three great families, we have next to determine the typical form.

§ XC. For, observe, the distinctions we have hitherto been stating, depend on the form of the stones first laid from pier to pier; that is to say, of the simplest condition of roofs proper. Adding the relations of the roof-mask to these lines, we shall have the perfect type of form for each school.

Fig. XII.

In the Greek, the Western Romanesque, and Western Gothic, the roof-mask is the gable: in the Eastern Romanesque, and Eastern Gothic, it is the dome: but I have not studied the roofing of either of these last two groups, and shall not venture to generalize them in a diagram. But the three groups, in the hands of the Western builders, may be thus simply represented: a, [Fig. XII.], Greek;[71] b, Western Romanesque; c, Western, or true, Gothic.