Stefano, Church of St. An interesting building of central Gothic, the best ecclesiastical example of it in Venice. The west entrance is much later than any of the rest, and is of the richest Renaissance Gothic, a little anterior to the Porta della Carta, and first-rate of its kind. The manner of the introduction of the figure of the angel at the top of the arch is full of beauty. Note the extravagant crockets and cusp finials as signs of decline.
Stefano, Church of St., at Murano (pugnacity of its abbot), II. 33. The church no longer exists.
Strope, Campiello della, house in, [II. 266].
T
Tana, windows at the, [II. 260].
Tiepolo, Palazzo, on the Grand Canal. Of no importance.
Tolentini, Church of the. One of the basest and coldest works of the late Renaissance. It is said to contain two Bonifazios.
Toma, Church of St. Of no importance.
Toma, Ponte San. There is an interesting ancient doorway opening on the canal close to this bridge, probably of the twelfth century, and a good early Gothic door, opening upon the bridge itself.