Millais, John E., relation of his works to older art, [iii. 185]; aerial perspective in his “Huguenot,” [iii. 47].
Milton, how inferior to Dante, [iii. 147].
Mocenigo, Tomaso, his character, [i. 4]; his speech on rebuilding the Ducal Palace, [ii. 299]; his tomb, [i. 26], [iii. 84].
Morosini, Carlo, Count, note on Daru’s History by, [iii. 213].
Morosini, Marino, his tomb, [iii. 93].
Morosini, Michael, his character, [iii. 213]; his tomb, [iii. 80].
Murillo, his sensualism, [ii. 192].
N
Napoleon, his genius in civil administration, [i. 399].
Niccolo Pisano, [i. 215].