This lively bearing was St. Pulinari's.
C. Sesto of Borgo.
1. Or; a viper, vert.
2. Argent; a needle, (?) (aguglia)
sable.
3. Vert; a horse unbridled;
draped, argent, a cross,
gules.
D. Sesto of St. Brancazio.
1. Vert; a lion rampant, proper.
2. Argent; a lion rampant, gules.
3. Azure; a lion rampant, argent.
E. Sesto of the Cathedral gates.
1. Azure; a lion (passant?) or.
2. Or; a dragon, vert.
3. Argent; a lion rampant,
azure, crowned, or.
F. Sesto of St. Peter's gates.
1. Or; two keys, gules.
2. An Italian (or more definitely
a Greek and Etruscan bearing;
I do not know how to
blazon it;) concentric bands,
argent and sable. This is
one of the remains of the
Greek expressions of storm;
hail, or the Trinacrian limbs,
being put on the giant's
shields also. It is connected
besides with the Cretan
labyrinth, and the circles of
the Inferno.
3. Parted per fesse, gules and
vai (I don't know if vai
means grey—not a proper
heraldic colour—or vaire).
106. Of course Hubert of Lucca did not determine these bearings, but took them as he found them, and appointed them for standards; {1} he did the same for all the country parishes, and ordered them to come into the city at need. "And in this manner the old people of Florence ordered itself; and for more strength of the people, they ordered and began to build the palace which is behind the Badia,—that is to say, the one which is of dressed stone, with the tower; for before there was no palace of the commune in Florence, but the signory abode sometimes in one part of the town, sometimes in another.