"She was not brown, nor dull of hue,
But white as snowe, fallen newe."
All these are symbols, which, if you cannot read, the image is to you only an uninteresting stiff figure. But Sir Walter's Franchise, Diana Vernon, interests you at once in personal aspect and character. She is no symbol to you; but if you acquaint yourself with her perfectly, you find her utter frankness, governed by a superb self-command; her spotless truth, refined by tenderness; her fiery enthusiasm, subdued by dignity; and her fearless liberty, incapable of doing wrong, joining to fulfil to you, in sight and presence, what the Greek could only teach by signs.
213. I have before noticed—though I am not sure that you have yet believed my statement of it—the significance of Sir Walter's as of Shakspeare's names; Diana 'Vernon, semper viret,' gives you the conditions of purity and youthful strength or spring which imply the highest state of libertas. By corruption of the idea of purity, you get the modern heroines of London Journal—or perhaps we may more fitly call it 'Cockney-daily'—literature. You have one of them in perfection, for instance, in Mr. Charles Reade's 'Griffith Gaunt'—"Lithe, and vigorous, and one with her great white gelding;" and liable to be entirely changed in her mind about the destinies of her life by a quarter of an hour's conversation with a gentleman unexpectedly handsome; the hero also being a person who looks at people whom he dislikes, with eyes "like a dog's in the dark;" and both hero and heroine having souls and intellects also precisely corresponding to those of a dog's in the dark, which is indeed the essential picture of the practical English national mind at this moment,—happy if it remains doggish,—Circe not usually being content with changing people into dogs only. For the Diana Vernon of the Greek is Artemis Laphria, who is friendly to the dog; not to the swine. Do you see, by the way, how perfectly the image is carried out by Sir Walter in putting his Diana on the border country? "Yonder blue hill is in Scotland," she says to her cousin,—not in the least thinking less of him for having been concerned, it may be, in one of Bob Roy's forays. And so gradually you get the idea of Norman franchise carried out in the free-rider or free-booter; not safe from degradation on that side also; but by no means of swinish temper, or foraging, as at present the British speculative public, only with the snout.
214. Finally, in the most soft and domestic form of virtue, you have Wordsworth's ideal:
"Her household motions light and free,
And steps of virgin liberty."
The distinction between these northern types of feminine virtue, and the figures of Alcestis, Antigone, or Iphigenia, lies deep in the spirit of the art of either country, and is carried out into its most unimportant details. We shall find in the central art of Florence at once the thoughtfulness of Greece and the gladness of England, associated under images of monastic severity peculiar to herself.
And what Diana Vernon is to a French ballerine dancing the Cancan, the 'libertas' of Chartres and Westminster is to the 'liberty' of M. Victor Hugo and Mr. John Stuart Mill.