Fully conscious that the respect which would be paid to him as a European sovereign greatly depended upon the number of men he could bring into the field of battle, Frederick William devoted untiring energies to the creation of an army. By the most severe economy, watching with an eagle eye every expenditure, and bringing his cudgel down mercilessly upon the shoulders of every loiterer, he succeeded in raising and maintaining an army of one hundred thousand men; seventy-two thousand being field troops, and thirty thousand in garrison.[2] He drilled these troops as troops were never drilled before.

Regardless himself of comfort, insensible to fatigue, dead to affection, he created perhaps the most potent military machine earth has ever known. Prussia was an armed camp. The king prized his soldiers as a miser prizes his gold coin, and was as unwilling to expose them to any danger as the miser is to hazard his treasures. War would thin his regiments, soil his uniforms, destroy his materiel. He hated war. But his army caused Prussia to be respected. If needful, he could throw one hundred thousand of the best drilled and best furnished troops in Europe, like a thunderbolt, upon any point. Unprincipled monarchs would think twice before they would encroach upon a man thus armed.

There was but one short war in which Frederick William engaged during his reign of twenty-seven years. That was with Charles XII. of Sweden. It lasted but a few months, and from it the Prussian king returned victorious. The demands of Frederick William were not unreasonable. As he commenced the brief campaign, which began and ended with the siege of Stralsund, he said: “Why will the very king whom I most respect compel me to be his enemy?” In his characteristic farewell order to his ministers, he wrote: “My wife shall be told of all things, and counsel asked of her. And as I am a man, and may be shot dead, I command you and all to take care of Fritz, as God shall reward you. And I give you all, wife to begin with, my curse that God may punish you in time and eternity if you do not, after my death, bury me in the vault of the palace church at Berlin. And you shall make no grand to-do on the occasion. On your body and life no festivals and ceremonials, except that the regiments, one after the other, fire a volley over me. I am assured that you will manage every thing with all the exactness in the world, for which I shall ever, zealously, as long as I live, be your friend.”

The king was scrupulously clean, washing five times a day. He would allow no drapery, no stuffed furniture, no carpets in his apartments. They caught dust. He sat upon a plain wooden chair. He ate roughly, like a farmer, of roast beef, despising all delicacies. His almost invariable dress was a close military blue coat, with red cuffs and collar, buff waistcoat and breeches, and white linen gaiters to the knee. A sword was belted around his loins, and, as we have said, a stout rattan or bamboo cane ever in his hand. A well-worn, battered, triangular hat covered his head. He walked rapidly through the streets which surrounded his palaces at Potsdam and Berlin. If he met any one who attracted his attention, male or female, he would abruptly, menacingly inquire, “Who are you?” A street-lounger he has been known to hit over the head with his cane, exclaiming, “Home, you rascal, and go to work.” If any one prevaricated or hesitated, he would sternly demand, “Look me in the face.” If there were still hesitancy, or the king were dissatisfied with the answers, the one interrogated was lucky if he escaped without a caning.[3]

The boorish king hated the refinement and polish of the French. If he met a lady in rich attire, she was pretty sure to be rudely assailed; and a young man fashionably dressed could hardly escape the cudgel if he came within reach of the king’s arm. The king, stalking through the streets, was as marked an object as an elephant would have been. Every one instantly recognized him, and many fled at his approach. One day he met a pale, threadbare young man, who was quietly passing him, when the king stopped, in his jerking gait, and demanded, in his coarse, rapid utterance, “Who are you?” “I am a theological student,” the young man quietly replied. “Where from?” added the king. “From Berlin,” was the response. “From Berlin?” the king rejoined; “the Berliners are all a good-for-nothing set.” “Yes, your majesty, that is true of many of them,” the young man added; “but I know of two exceptions.” “Of two?” responded the king; “which are they?” “Your majesty and myself,” the young man replied. The king burst into a good-humored laugh, and, after having the young man carefully examined, assigned him to a chaplaincy.

The French minister at the court of Berlin, Count Rothenburg, was a Prussian by birth. He was a man of much diplomatic ability, and a very accomplished gentleman. Having spent much of his life in Paris, he had acquired the polished manners of the French court, and wore the costume appropriate to the Tuileries and Versailles. He and his associates in the embassy attracted much attention as they appeared in their cocked hats, flowing wigs, laced coats, and other gorgeous trimmings. The king, in his homespun garb, was apprehensive that the example so obnoxious to him might spread.

There was to be a grand review on the parade-ground just out from Berlin, at which the French embassy was to be present. The king caused a party equal in number, composed of the lowest of the people, to be dressed in an enormous exaggeration of the French costume. Their cocked hats were nearly a yard in diameter. Immense wigs reached to their heels; and all other parts of the French court costume were caricatured in the most grotesque manner possible. As soon as the French embassy appeared, there was a great sound of trumpets and martial bands from another part of the field, and these harlequins were brought forward to the gaze of every eye, and conspicuously to the view of Count Rothenburg and his companions. Military discipline prevented any outburst of derisive laughter. Perfect silence reigned. The king sat upon his horse as stolid and grim as fate. Count Rothenburg yielded to this gross discourtesy of the king, and ever after, while he remained in Berlin, wore a plain German costume.

Frederick William was very anxious that little Fritz should be trained to warlike tastes and habits; that, like himself, he should scorn all effeminacy; that, wearing homespun clothes, eating frugal food, despising all pursuits of pleasure and all literary tastes, he should be every inch a soldier. But, to the bitter disappointment of the father, the child manifested no taste for soldiering. He was gentle, affectionate, fond of books and music,[4] and with an almost feminine love clung to his sister. The stern old king was not only disappointed, but angered. These were qualities which he deemed unmanly, and which he thoroughly despised.

THE LITTLE DRUMMER.