Personal appearance of Louis Napoleon.
His resemblance to the Emperor.

His personal appearance at that time is thus graphically sketched. "He is middle-sized, of an agreeable countenance, and has a military air. To personal advantages he joins the more seductive distinction of manners simple, natural, and full of good taste and ease. At first sight I was struck with his resemblance to Prince Eugene, and to the Empress Josephine, his grandmother. But I did not remark a like resemblance to the Emperor. But by attentively observing the essential features, that is those not depending on more or less fullness or on more or less beard, we soon discover that the Napoleonic type is reproduced with astonishing fidelity. It is, in fact, the same lofty forehead, broad and straight, the same nose, of fine proportions, the same gray eyes, though, the expression is milder. It is particularly the same contour and inclination of the head. The latter especially, when the prince turns, is so full of the Napoleon air, as to make a soldier of the Old Guard thrill at the sight. And if the eye rests on the outline of these forms, it is impossible not to be struck, as if before the head of the Emperor, with the imposing grandeur of the Roman profile, of which the lines, so defined, so grave, I will even add and so solemn, are, as it were, the soul of great destinies.

"The distinguishing expression of the features of the young prince is that of nobleness and gravity. And yet, far from being harsh, his countenance, on the contrary, breathes a sentiment of mildness and benevolence. It seems that the maternal type which is preserved in the lower part of his face has come to correct the rigidity of the imperial lines, as the blood of the Beauharnais seems to have tempered in him the southern violence of the Napoleon blood. But what excites the greatest interest is that indefinable tinge of melancholy and thoughtfulness observable in the slightest movement, and revealing the noble sufferings of exile.

"But after this portrait you must not figure to yourself one of those elegant young men, those Adonises of romance who excite the admiration of the drawing-room. There is nothing of effeminacy in the young Napoleon. The dark shadows of his countenance indicate an energetic nature. His assured look, his glance at once quick and thoughtful, every thing about him points out one of those exceptional natures, one of those great souls that live by meditating on great things, and that alone are capable of accomplishing them."

Letter to M. Belmontet.

About this time the young prince wrote as follows to his friend, the poet Belmontet: "Still far from my country, and deprived of all that can render life dear to a manly heart, I yet endeavor to retain my courage in spite of fate, and find my only consolation in hard study. Adieu. Sometimes think of all the bitter thoughts which must fill my mind when I contrast the past glories of France with her present condition and hopeless future. It needs no little courage to press on alone, as one can, towards the goal which one's heart has vowed to reach. Nevertheless I must not despair, the honor of France has so many elements of vitality in it."

Letter to a friend.

Some months later he wrote to the same friend: "My life has been until now marked only by profound griefs and stifled wishes. The blood of Napoleon rebels in my veins, in not being able to flow for the national glory. Until the present time there has been nothing remarkable in my life, excepting my birth. The sun of glory shone upon my cradle. Alas! that is all. But who can complain when the Emperor has suffered so much? Faith in the future, such is my only hope; the sword of the Emperor my only stay; a glorious death for France my ambition. Adieu! Think of the poor exiles, whose eyes are ever turned towards the beloved shores of France. And believe that my heart will never cease to beat at the sound of country, honor, patriotism, and devotion."

Hortense deeply sympathized in the sorrows of her son. Like the caged eagle, he was struggling against his bars, longing for a lofty flight. On the 10th of August, 1834, she wrote to their mutual friend, Belmontet as follows:

Love of Hortense for her son.