The arrest of the cardinal created a great sensation throughout Paris. But the chateau was too strong, and too vigilantly guarded by the royal troops, to encourage any attempt at a rescue.
THE CASTLE OF VINCENNES.
Return of Mazarin.
In the mean time, Mazarin had placed himself at the head of the royal troops in one of the provinces, where he gained several unimportant victories over the bands of the Fronde. These successes were trumpeted abroad as great achievements, so as to invest the cardinal with the renown of a great conqueror. Mazarin was well aware of the influence of military glory upon the populace in Paris. The king also began to feel the need of his dominant mind. He was invited to return to Paris. Louis himself rode out six miles beyond the walls to receive him. The cardinal entered the city in triumph, in the same carriage with his sovereign, and seated by his side. All the old idols were forgotten, and the once detested Mazarin was received as though he were an angel from heaven. Bonfires and illuminations blazed through the streets; the whole city resounded with demonstrations of rejoicing. Thus terminated the year 1652.
First care of Mazarin.
Festivities at court.
The first care of Cardinal Mazarin, after his return to Paris, was to restore the finances, which were in a deplorable condition. Louis was fond of pleasure. It was one great object of the cardinal to gratify him in this respect, in every possible way. Notwithstanding the penury of the court, the cardinal contrived to supply the king with money. Thus, during the winter, the royal palaces resounded with festivity and dissipation. The young king became very fond of private theatricals, in which he, his brother Philip, and the young ladies of the court took prominent parts. Louis often appeared upon the stage in the character of a ballet-dancer. He was proud of the grace with which he could perform the most difficult pirouettes. He had plays written, with parts expressly composed for his aristocratic troop.
The scene of these masqueradings was the theatre of the Hotel du Petit Bourbon, which was contiguous to the Louvre. When royalty plays and courtiers fill pit and gallery, applause is without stint. The boy-king was much elated with his theatric triumphs. The queen and Cardinal Mazarin were well pleased to see the king expending his energies in that direction.