Madame Roland, Makers of History

by John S. C. Abbott

Scenes in the convent.

The scenes which she witnessed in the convent were peculiarly calculated to produce an indelible impression upon a mind so imaginative. The chapel for prayer, with its somber twilight and its dimly-burning tapers; the dirges which the organ breathed upon the trembling ear; the imposing pageant of prayer and praise, with the blended costumes of monks and hooded nuns; the knell which tolled the requiem of a departed sister, as, in the gloom of night and by the light of torches, she was conveyed to her burial—all these concomitants of that system of pageantry, arranged so skillfully to impress the senses of the young and the imaginative, fanned to the highest elevation the flames of that poetic temperament she so eminently possessed.

Impressions made by them.
Poetic enthusiasms.

God thus became in Jane's mind a vision of poetic beauty. Religion was the inspiration of enthusiasm and of sentiment. The worship of the Deity was blended with all that was ennobling and beautiful. Moved by these glowing fancies, her susceptible spirit, in these tender years, turned away from atheism, from infidelity, from irreligion, as from that which was unrefined, revolting, vulgar. The consciousness of the presence of God, the adoration of his being, became a passion of her soul. This state of mind was poetry, not religion. It involved no sense of the spirituality of the Divine Law, no consciousness of unworthiness, no need of a Savior. It was an emotion sublime and beautiful, yet merely such an emotion as any one of susceptible temperament might feel when standing in the Vale of Chamouni at midnight, or when listening to the crash of thunder as the tempest wrecks the sky, or when one gazes entranced upon the fair face of nature in a mild and lovely morning of June, when no cloud appears in the blue canopy above us, and no breeze ruffles the leaves of the grove or the glassy surface of the lake, and the songs of birds and the perfume of flowers fill the air. Many mistake the highly poetic enthusiasm which such scenes excite for the spirit of piety.

Taking the veil.
Taking the black veil.
Effect upon Jane.

While Jane was an inmate of the convent, a very interesting young lady, from some disappointment weary of the world, took the veil. When one enters a convent with the intention of becoming a nun, she first takes the white veil, which is an expression of her intention, and thus enters the grade of a novice. During the period of her novitiate, which continues for several months, she is exposed to the severest discipline of vigils, and fastings, and solitude, and prayer, that she may distinctly understand the life of weariness and self-denial upon which she has entered. If, unintimidated by these hardships, she still persists in her determination, she then takes the black veil, and utters her solemn and irrevocable vows to bury herself in the gloom of the cloister, never again to emerge. From this step there is no return. The throbbing heart, which neither cowls nor veils can still, finds in the taper-lighted cell its living tomb, till it sleeps in death. No one with even an ordinary share of sensibility can witness a ceremony involving such consequences without the deepest emotion. The scene produced an effect upon the spirit of Jane which was never effaced. The wreath of flowers which crowned the beautiful victim; the veil enveloping her person; the solemn and dirge-like chant, the requiem of her burial to all the pleasures of sense and time; the pall which overspread her, emblematic of her consignment to a living tomb, all so deeply affected the impassioned child, that, burying her face in her hands, she wept with uncontrollable emotion.

Lofty aspirations.
Remark of Napoleon.

The thought of the magnitude of the sacrifice which the young novice was making appealed irresistibly to her admiration of the morally sublime. There was in that relinquishment of all the joys of earth a self-surrender to a passionless life of mortification, and penance, and prayer, an apparent heroism, which reminded Jane of her much-admired Roman maidens and matrons. She aspired with most romantic ardor to do, herself, something great and noble. While her sound judgment could not but condemn this abandonment of life, she was inspired with the loftiest enthusiasm to enter, in some worthy way, upon a life of endurance, of sacrifice, and of martyrdom. She felt that she was born for the performance of some great deeds, and she looked down with contempt upon all the ordinary vocations of every-day life. These were the dreams of a romantic girl. They were not, however, the fleeting visions of a sickly and sentimental mind, but the deep, soul-moving aspirations of one of the strongest intellects over which imagination has ever swayed its scepter. One is reminded by these early developments of character of the remark of Napoleon, when some one said, in his presence, "It is nothing but imagination." "Nothing but imagination!" replied this sagacious observer; "imagination rules the world!"