SEASONS OF '78-'79 AND '80-'82.
The season of '78 and '79 was opened on October 4th by Haverly's minstrels, who filled the night of the 5th also, when the stock company stepped to the front once more, and filled out the remainder of the Conference dates with the "Lancashire Lass" and the "Hidden Hand." On the 23rd Susie Spencer was a beneficiary, playing "The Little Rebel." Susie's life was not without a spice of romance, and its chapter of sorrow. Susie Spencer was a very pretty little girl and talented; the managers found her very useful in parts where her petite stature was suited to the character, and such occasions were not infrequent. Miss Spencer was progressing nicely in her art and had already become a favorite with the patrons of the drama, when she met her fate in the person of Mr. Ed Marden. Marden was one of the Cogswell party who came from California by way of Southern Utah, and waiting on Brigham Young, informed him they had received a revelation (via the Planchette route) instructing them to come to Salt Lake and join the Mormon Church, as it was the only true and authorized church. The party were duly baptized and confirmed into the Church, and at once installed as members of the stock company. Marden became on very short acquaintance infatuated with the pretty Susie and laid siege to her young and guileless heart with that adroitness and dexterity which come from much experience, with the result that Susie soon became Mrs. Marden. Marden was a member of the stock here all during the "Jimmy" Harris regime. He and "Jimmy" were fast friends, they both came to Utah Gentiles, joined the Church and married Mormon girls. Soon after the close of the Harris management in '77, Marden drifted off and left his Susie a heart-broken little woman. He was through with Utah, and through with the Mormon Church, and through with his little Mormon wife, and cast them all aside as he would a worn-out suit. He never came back, and Susie, after a year or two of repining, found consolation in the affections of a better man. She became the wife of Mr. Rice, a well-to-do banker of the mining town of Frisco, Utah, where she lived happily in her new alliance until a few years ago, when she passed away from earth, still young in years.
The next stellar attraction was Mrs. Scott Siddons, a niece of the great Sarah Siddons, who appeared on November 22nd in a dramatic recital; with what success the writer cannot tell, as he was away again at this time. This lady had just closed a week's engagement at Portland, Oregon, when I arrived there. I met her at the hotel before her departure, and she impressed me as being an extraordinary woman and a brilliant actress.
December 25th, Nat Goodwin and Eliza Weatherby opened a four nights' engagement in "Hobbies;" they gave on the following evenings "Under the Rose" and "Cruets." This was Goodwin's first engagement in Salt Lake.
On January 10th and 11th, 1879, Alice Gates' Comic Opera Company played to exceptionally large houses.
Barney Macauley in "The Messenger from Jarvis Station" was the next stellar attraction.
There was a dearth of star attractions along about this time and the stock company had plenty of time to fill in, but it had become so depleted as to be unable to keep up the interest for more than two or three nights at a time.
On May 2nd, "Buffalo Bill," Col. Wm. F. Cody, gave an exhibition, assisted by the stock company. He called it "A Knight of the Plains." On May 8th, Annie Adams (Mrs. Kiskadden) and her daughter Maude, who were in Salt Lake on a visit, created some interest in her reappearance here, and that of Maude who on this occasion played her first speaking part in Salt Lake. Miss Adams assisted by the stock (what remained of it) and some amateurs, gave on the 8th, "A Woman of the People." This was the old French play of "Madeline, the Belle of the Faubourg," which Julia Dean had played some years before. Like many another good play since, it was made to do double duty by appearing under a new title. For the second night's bill, the comedy of "Stepmother" and the farce of "Little Susie" were given. In the farce Little Maude played the name part, "Little Susie." Maude was then six years and six months old, and had already played several parts in San Francisco, the most notable one, Little Adrienne in "A Celebrated Case," which she played in the Baldwin production of the play, and afterwards in Portland with John Maguire's production of it, for which she and her mother were especially engaged. Afterwards with the Maguire company en tour through Oregon and Washington, when "Little Maude" was featured in "The Case" and also in "Ten Nights in a Bar Room," her mother and the writer playing the leading roles in these plays. This second bill was repeated on the 10th inst., the probability being that Maude had caught the public favor at that early day.
The next attraction of note was Lawrence Barrett, who opened on July 8th (midsummer nights—no dream) for four nights, opening play "Richelieu" followed by "Hamlet," "A New Play" and "Julius Caesar." How the fastidious and exacting Barrett managed to cast these great plays here has never been explained to me. He must have carried his principal support with him.
In the fall of this year Miss Annie Adams revived "The Two Orphans" with a complete cast of amateurs, excepting herself and Jimmy Harris. The cast included Mr. Laron Cummings as the Chevalier, Heber M. Wells as the Doctor, Orson Whitney as Jacques, John D. Spencer as Pierre, John T. White as Picard, W. T. Harris played Frochard, which fact certainly denoted a great paucity of female talent here about that time. Annie Adams played Louise and Delia Clawson, Heriette, which is as much of the cast as we can gather from Miss Adams' own account of this performance. So successful was the performance as a whole and so meritorious the acting of the numerous debutants on this occasion that Mr. Bud Whitney who was managing the business end of the affair, proposed the organization of a "Home Club," which should comprise all of the amateurs who had taken part in "The Two Orphans." The proposition was readily adopted by those concerned, and out of this sprang "The Home Dramatic Club." The time was most opportune, for there was a dearth of dramatic attractions at the time; the old stock had dwindled until there were but a few of its members left in Salt Lake, and some new blood and talent was needed to give renewed interest to home productions. "The Home Dramatic Club," with great prudence and foresight, secured the ensuing April Conference dates on which to make their initial bow to the Utah public. It was a good long time to wait but they were sure of big results in a financial way, and it gave them plenty of time in which to perfect themselves in their opening play, which was "The Romance of a Poor Young Man." It was a good selection, well suited to the young people, and scored a success; only the older people in the community could remember George Pauncefort opening in the same play in 1864, and scoring a great triumph. The club had large and friendly audiences and their introductory play was pronounced a genuine success, both artistically and financially. It could not be otherwise than a good paying proposition, as Conference nights are always a harvest time for the theatre. So well encouraged were they that the club continued in the business of playing occasionally, whenever they could secure favorable dates, such as Conferences and other holiday times, for a number of years. "The Home Dramatic Club" averaged about three or four plays a year during their career of about ten years. The club being more of a society affair than a professional theatre company, they picked their times and opportune ones, and playing so seldom they never were subjected to the tasks in study and rehearsals and dramatic work which characterized the busy years of the old stock company. It was a talented company, however, and no doubt could have made good under different and more exacting conditions.