Hiss over thee;
Thou art become a terror—
And art no more for ever.
Such is the end of Tyre. She has vanished utterly from the earth; the imposing fabric of her greatness is [pg 252] like an unsubstantial pageant faded; and nothing remains to tell of her former glory but the mourning of the nations who were once enriched by her commerce.
II
Ch. xxviii. 1-19.—Here the prophet turns to the prince of Tyre, who is addressed throughout as the impersonation of the consciousness of a great commercial community. We happen to know from Josephus that the name of the reigning king at this time was Ithobaal or Ethbaal II. But it is manifest that the terms of Ezekiel's message have no reference to the individuality of this or any other prince of Tyre. It is not likely that the king could have exercised any great political influence in a city “whose merchants were all princes”; indeed, we learn from Josephus that the monarchy was abolished in favour of some sort of elective constitution not long after the death of Ithobaal. Nor is there any reason to suppose that Ezekiel has in view any special manifestation of arrogance on the part of the royal house, such as a pretension to be descended from the gods. The king here is simply the representative of the genius of the community, the sins of heart charged against him are the expression of the sinful principle which the prophet detected beneath the refinement and luxury of Tyre, and his shameful death only symbolises the downfall of the city. The prophecy consists of two parts: first, an accusation against the prince of Tyre, ending with a threat of destruction (vv. 2-10); and second, a lament over his fall (vv. 11-19). The point of view is very different in these two sections. In the first the prince is still conceived as a man; and the language put into his mouth, although extravagant, does not exceed the limits of purely human arrogance. In the second, however, the king appears as an angelic being, an inhabitant [pg 253] of Eden and a companion of the cherub, sinless at first, and falling from his high estate through his own transgression. It almost seems as if the prophet had in his mind the idea of a tutelary spirit or genius of Tyre, like the angelic princes in the book of Daniel who preside over the destinies of different nations.[99] But in spite of its enhanced idealism, the passage only clothes in forms drawn from Babylonian mythology the boundless self-glorification of Tyre; and the expulsion of the prince from paradise is merely the ideal counterpart of the overthrow of the city which is his earthly abode.
The sin of Tyre is an overweening pride, which culminated in an attitude of self-deification on the part of its king. Surrounded on every hand by the evidences of man's mastery over the world, by the achievements of human art and industry and enterprise, the king feels as if his throne on the sea-girt island were a veritable seat of the gods, and as if he himself were a being truly divine. His heart is lifted up; and, forgetful of the limits of his mortality, he “sets his mind like the mind of a god.” The godlike quality on which he specially prides himself is the superhuman wisdom evinced by the extraordinary prosperity of the city with which he identifies himself. Wiser than Daniel! the prophet ironically exclaims; “no secret thing is too dark for thee!” “By thy wisdom and thine insight thou hast gotten thee wealth, and hast gathered gold and silver into thy treasuries: by thy great wisdom in thy commerce thou hast multiplied thy wealth, and thy heart is lifted up because of thy riches.” The prince sees in the vast accumulation of material resources in Tyre nothing but the reflection of the genius of her inhabitants; and being himself the incarnation of the spirit of the city, he takes the glory of it to himself [pg 254] and esteems himself a god. Such impious self-exaltation must inevitably call down the vengeance of Him who is the only living God; and Ezekiel proceeds to announce the humiliation of the prince by the “most ruthless of the nations”—i.e., the Chaldæans. He shall then know how much of divinity doth hedge a king. In face of them that seek his life he shall learn that he is man and not God, and that there are forces in the world against which the vaunted wisdom of Tyre is of no avail. An ignominious death[100] at the hand of strangers is the fate reserved for the mortal who so proudly exalted himself against all that is called God.
The thought thus expressed, when disengaged from its peculiar setting, is one of permanent importance. To Ezekiel, as to the prophets generally, Tyre is the representative of commercial greatness, and the truth which he here seeks to illustrate is that the abnormal development of the mercantile spirit had in her case destroyed the capacity of faith in that which is truly divine. Tyre no doubt, like every other ancient state, still maintained a public religion of the type common to Semitic paganism. She was the sacred seat of a special cult, and the temple of Melkarth was considered the chief glory of the city. But the public and perfunctory worship which was there celebrated had long ceased to express the highest consciousness of the community. The real god of Tyre was not Baal nor Melkarth, but the king, or any other object that might serve as a symbol of her civic greatness. Her religion was one that embodied itself in no outward ritual; it was the enthusiasm which was kindled in the heart of every citizen of Tyre by the magnificence of the imperial city to which he belonged. The state of mind [pg 255] which Ezekiel regards as characteristic of Tyre was perhaps the inevitable outcome of a high civilisation informed by no loftier religious conceptions than those common to heathenism. It is the idea which afterwards found expression in the deification of the Roman emperors—the idea that the state is the only power higher than the individual to which he can look for the furtherance of his material and spiritual interests, the only power, therefore, which rightly claims his homage and his reverence. None the less it is a state of mind which is destructive of all that is essential to living religion; and Tyre in her proud self-sufficiency was perhaps further from a true knowledge of God than the barbarous tribes who in all sincerity worshipped the rude idols which represented the invisible power that ruled their destinies. And in exposing the irreligious spirit which lay at the heart of the Tyrian civilisation the prophet lays his finger on the spiritual danger which attends the successful pursuit of the finite interests of human life. The thought of God, the sense of an immediate relation of the spirit of man to the Eternal and the Infinite, are easily displaced from men's minds by undue admiration for the achievements of a culture based on material progress, and supplying every need of human nature except the very deepest, the need of God. “For that is truly a man's religion, the object of which fills and holds captive his soul and heart and mind, in which he trusts above all things, which above all things he longs for and hopes for.”[101] The commercial spirit is indeed but one of the forms in which men devote themselves to the service of this present world; but in any community where it reigns supreme we may confidently look for the same signs of religious decay which Ezekiel detected in Tyre in his own day. At all events [pg 256] his message is not superfluous in an age and country where energies are well-nigh exhausted in the accumulation of the means of living, and whose social problems all run up into the great question of the distribution of wealth. It is essentially the same truth which Ruskin, with something of the power and insight of a Hebrew prophet, has so eloquently enforced on the men who make modern England—that the true religion of a community does not live in the venerable institutions to which it yields a formal and conventional deference, but in the objects which inspire its most eager ambitions, the ideals which govern its standard of worth, in those things wherein it finds the ultimate ground of its confidence and the reward of its work.[102]
The lamentation over the fall of the prince of Tyre (vv. 11-19) reiterates the same lesson with a boldness and freedom of imagination not usual with this prophet. The [pg 257] passage is full of obscurities and difficulties which cannot be adequately discussed here, but the main lines of the conception are easily grasped. It describes the original state of the prince as a semi-divine being, and his fall from that state on account of sin that was found in him. The picture is no doubt ironical; Ezekiel actually means nothing more than that the soaring pride of Tyre enthroned its king or its presiding genius in the seat of the gods, and endowed him with attributes more than mortal. The prophet accepts the idea, and shows that there was sin in Tyre enough to hurl the most radiant of celestial creatures from heaven to hell. The passage presents certain obvious affinities with the account of the Fall in the second and third chapters of Genesis; but it also contains reminiscences of a mythology the key to which is now lost. It can hardly be supposed that the vivid details of the imagery, such as the “mountain of God,” the “stones of fire,” “the precious gems,” are altogether due to the prophet's imagination. The mountain of the gods is now known to have been a prominent idea of the Babylonian religion; and there appears to have been a widespread notion that in the abode of the gods were treasures of gold and precious stones, jealously guarded by griffins, of which small quantities found their way into the possession of men. It is possible that fragments of these mythical notions may have reached the knowledge of Ezekiel during his sojourn in Babylon and been used by him to fill up his picture of the glories which surrounded the first estate of the king of Tyre. It should be observed, however, that the prince is not to be identified with the cherub or one of the cherubim. The words “Thou art the anointed cherub that covereth, and I have set thee so” (ver. 14) may be translated “With the ... cherub I set thee”; and similarly the words of ver. 16, “I will destroy thee, O covering cherub,” should probably [pg 258] be rendered “And the cherub hath destroyed thee.” The whole conception is greatly simplified by these changes, and the principal features of it, so far as they can be made out with clearness, are as follows: The cherub is the warden of the “holy mountain of God,” and no doubt also (as in ch. i.) the symbol and bearer of the divine glory. When it is said that the prince of Tyre was placed with the cherub, the meaning is that he had his place in the abode of God, or was admitted to the presence of God, so long as he preserved the perfection in which he was created (ver. 15). The other allusions to his original glory, such as the “covering” of precious stones and the “walking amidst fiery stones,” cannot be explained with any degree of certainty.[103] When iniquity is found in him so that he must be banished from the presence of God, the cherub is said to destroy him from the midst of the stones of fire—i.e., is the agent of the divine judgment which descends on the prince. It is thus doubtful whether the prince is conceived as a perfect human being, like Adam before his fall, or as an angelic, superhuman creature; but the point is of little importance in an ideal delineation such as we have here. It will be seen that even on the first supposition there is no very close correspondence with the story of Eden in the book of Genesis, for there the cherubim are placed to guard the way of the tree of life only after man has been expelled from the garden.
But what is the sin that tarnished the sanctity of this exalted personage and cost him his place among the [pg 259] immortals? Ideally, it was an access of pride that caused his ruin, a spiritual sin, such as might originate in the heart of an angelic being.